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A Tiffany lamp is a type of lamp made of glass and shade designed by Louis Comfort Tiffany or artisans, mostly women, and made (in originals) in his design studio. The glass in the lampshades is put together with the copper-foil technique instead of leaded, the classic technique for stained-glass windows.
Two modern electric lamps with lampshades. A lampshade is a fixture that envelops the light bulb on a lamp to redirect the light it emits. The shade is often affixed onto a light fixture to reduce the intensity of the light to observers, shield the light from a harsh environment, or for decoration by altering the color or creating shadows.
In general, the shade is made by mixing a color with a darker shade, plus blue and a complementary of the proper color (such as yellow and dark blue, red and primary blue or magenta and green). [37] The light and chromatic harmony of a painting depends on color, i.e. the relationship between the parts of a painting to create cohesion.
Lithophane of Frederick the Great, lit from front.After a well known painting by Julius Schrader (1849). [1] The same lithophane, backlit. A lithophane is a thin plaque of translucent material, normally porcelain, which has been moulded to varying thickness, such that when lit from behind the different thicknesses show as different shades, forming an image.
A typical copper foil Tiffany lamp, with a jonquil daffodil design Clara Driscoll, head designer at Tiffany & Co., c. 1899–1920, Tiffany "Daffodil" leaded glass table lamp. This is an example of copper foil glasswork, an alternative to came glasswork.
Art Nouveau (/ ˌ ɑː r (t) n uː ˈ v oʊ / AR(T) noo-VOH, French: [aʁ nuvo] ⓘ; lit. ' New Art '), Jugendstil and Secessionsstil in German, is an international style of art, architecture, and applied art, especially the decorative arts. It was often inspired by natural forms such as the sinuous curves of plants and flowers. [1]
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Toleware coffee pot, circa 1940. The term tôle, derived from the French tôle peinte, "painted sheet metal", is synonymous in English usage with japanning on tin, [1] such as the tôle shades for bouillotte lamps and other candle shades, and trays and lidded canisters, in which stenciling and gilding often features, almost always on a black ground.