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"Give Me One Reason" is a song written and performed by American singer-songwriter Tracy Chapman. It was included on her fourth studio album, New Beginning (1995), and was released as a single in various territories between November 1995 and March 1997, her first since 1992's "Dreaming on a World".
The suspended fourth chord is often played inadvertently, or as an adornment, by barring an additional string from a power chord shape (e.g., E5 chord, playing the second fret of the G string with the same finger barring strings A and D); making it an easy and common extension in the context of power chords.
It consists of two IV chord progressions, the second a whole step lower (A–E–G–D = I–V in A and I–V in G), giving it a sort of harmonic drive. There are few keys in which one may play the progression with open chords on the guitar, so it is often portrayed with barre chords ("Lay Lady Lay").
When the sing-along screenings of “Wicked” go down beginning Christmas Day, I’ll be there — but not because I have any intention of personally raising my voice in song. (Or maybe I’ll ...
Whereas you have a lot of bass players playing the root of the guitar chord, and that’s your song, [here] I’m playing one line, he’s playing a contradictory line, and it creates this cacophony.
"Stay" is a song by American rock band Black Stone Cherry, written by the band along with Joey Moi. Black Stone Cherry recorded it on their 2011 album Between the Devil and the Deep Blue Sea, produced by Howard Benson. [1] The song was covered by Florida Georgia Line in 2012 and released as a single in 2013.
"If You Want Me to Stay" was the band's final Top 20 pop hit, and is the best-known of its post-There's a Riot Goin' On recordings. The single reached number 12 on the Pop Chart , and number three on the Billboard R&B Singles Chart .
Rolling Stone magazine ranked this song 64th in its list "The 100 Best Singles of 2008", considering it "a retro-pop duet with sweetly plaintive vocals". [1] For MTV News, James Montgomery ranked the song the 18th best song of 2008 out of 33 and commented "it's Deschanel's big, bell-clear vocals (and that "uh-huh!") that make this one truly special."