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Roe vs. Wade is a 1989 television film directed by Gregory Hoblit about the landmark 1973 United States Supreme Court decision Roe v. Wade . It was written by Alison Cross and stars Holly Hunter and Amy Madigan .
Roe v. Wade is a 2020 American political legal drama film [3] produced, written and directed by Nick Loeb and Cathy Allyn. It serves as a dramatization of the 1973 landmark decision of the same name, rendered by the U.S. Supreme Court on the issue of the constitutionality of laws that criminalized or restricted access to abortions.
Article III courts (also called Article III tribunals) are the U.S. Supreme Court and the inferior courts of the United States established by Congress, which currently are the 13 United States courts of appeals, the 91 United States district courts (including the districts of D.C. and Puerto Rico, but excluding the territorial district courts of the Northern Mariana Islands, Guam, and the ...
The film has a rating of 38% in Rotten Tomatoes.. Hank Stuever of The Washington Post commented that the film, focused as it was on the behind-the-scenes legal discussion of the Supreme Court's justices and law clerks, and depicting one of Harlan's law clerks (a character that was "a fictional composite of several clerks") as playing a central role in the court's decision to free Ali, was at ...
Bosley Crowther of The New York Times called the film "a curiously old-fashioned courtroom drama" that "moved ploddingly". [4]A Variety reviewer wrote, "A basically good idea for a film melodrama [from a novel by Eleazar Lipsky] is cluttered up with too many unnecessary side twists and turns, and the presentation is uncomfortably overlong."
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The supporting cast includes Tiffany Haddish, J. B. Smoove, Lavell Crawford, and Henry Winkler. On the Count of Three had its world premiere at the 2021 Sundance Film Festival, and was released in select theaters and on-demand by Annapurna Pictures and Orion Pictures through United Artists Releasing on May 13, 2022. It received generally ...
The Monthly Film Bulletin wrote: "Coming after the somewhat off-beat films Ray Milland has been associated with in recent years, this present piece seems an entirely conventional and unprofitable choice.