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Thomas Cole (February 1, 1801 – February 11, 1848) was an English-born American artist and the founder of the Hudson River School art movement. [1] [2] Cole is widely regarded as the first significant American landscape painter. He was known for his romantic landscape and history paintings.
Pages in category "American romantic painters" The following 6 pages are in this category, out of 6 total. This list may not reflect recent changes. D. Edwin Deakin;
Thomas Cole (1801–1848), The Oxbow, View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (1836), Metropolitan Museum of Art. The Hudson River School was a mid-19th-century American art movement embodied by a group of landscape painters whose aesthetic vision was influenced by Romanticism.
Painters of the Romantic art period (late 18th century — mid-19th century). ... out of 20 total. A. American romantic painters (1 C, 6 P) Austrian romantic painters ...
Important literary works in Spanish Romanticism include Larra's essays (each article published separately until 1836), Don Juan Tenorio by Zorrilla (1844), El Estudiante de Salamanca (1840) and Poesias (1840) by Espronceda, and Rimas y Leyendas by Becquer (1871). Mariano Jose de Larra (essayist) José de Espronceda (poet, tale writer)
However, Romanticism has had a lasting impact on Western civilization, and many works of art, music, and literature that embody the Romantic ideals have been made after the end of the Romantic Era. The movement's advocacy for nature appreciation is cited as an influence for current nature conservation efforts.
Elected to the National Academy of Design in 1829, Robert Weir was an American artist associated with the Hudson River School. He was an instructor at the United States Military Academy for forty-two years, 1832–1874. Worthington Whittredge: More images: 22 May 1820 25 February 1910 American artist of the Hudson River School.
He was elected a Fellow of the American Academy of Arts and Sciences in 1826. [9] He was the uncle of the artists George Whiting Flagg and Jared Bradley Flagg, both of whom studied painting under him. The first American exhibition of Allston's work was in 1827 when twelve of his paintings were shown at the Boston Athenæum. [10]