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  2. Los Ángeles Azules - Wikipedia

    en.wikipedia.org/wiki/Los_Ángeles_Azules

    Los Ángeles Azules are a Mexican musical group that plays the cumbia sonidera genre, which is a cumbia subgenre using the accordion and synthesizers. This results in a fusion of the sounds of cumbia from the 1950-1970s with those of 1990s-style electronic music.

  3. Las 30 Cumbias Más Pegadas - Wikipedia

    en.wikipedia.org/wiki/Las_30_Cumbias_Más_Pegadas

    Las 30 Cumbias Más Pegadas (English: The 30 Best Cumbias) is a compilation album featuring music from Los Angeles Azules, Los Askis, Rayito Colombiano, Grupo Latino, Grupo Maracuya, Los Llayras, Mr. Chivo, Aniceto Molina, Super Grupo G, La Tropa Vallenata, Los Vallenatos, Yahari, among others.

  4. Mi Niña Mujer - Wikipedia

    en.wikipedia.org/wiki/Mi_Niña_Mujer

    "Mi Niña Mujer" is a song by Mexican group Los Ángeles Azules from Los Ángeles Azules's 1996 studio album Cómo Te Voy a Olvidar. A remix version featuring American duo Ha*Ash was released on August 5, 2016. [1] The track peaked at number 31 in the Mexico Airplay, [2] number 11 in the Mexico Espanol Airplay charts in México. [3]

  5. Carlos Vives - Wikipedia

    en.wikipedia.org/wiki/Carlos_Vives

    Carlos Alberto Vives Restrepo (born 7 August 1961) is a Colombian singer, songwriter and actor. He is known for his interpretation of traditional music styles of Colombia such as vallenato, cumbia, champeta, bambuco and porro as well as genres such as Latin pop, rock, reggaeton, dance-pop and tropical music.

  6. Grupera - Wikipedia

    en.wikipedia.org/wiki/Grupera

    Later, tropical cumbia artists such as Celso Piña, Margarita la Diosa de la Cumbia, and Los Ángeles Azules would be included under the term grupera. A turning point in the development of grupera was the popularization of groups based on banda sinaloense mainly through Banda el Recodo and others like La Original Banda El Limón and La ...

  7. Perdonarte, ¿Para Qué? - Wikipedia

    en.wikipedia.org/wiki/Perdonarte,_¿Para_Qué?

    In its second week, it reached number one, being Los Ángeles Azules' third chart-topper and Emilia's fifth. [12] It remained in place for three weeks, being the fourth song to spend at least three weeks at the summit in 2024, after " Una Foto (Remix) ", "Bésame (Remix)", and "Hola Perdida (Remix)". [ 12 ]