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"To Be a Pilgrim", also known as "He Who Would Valiant Be", is an English Christian hymn using words of John Bunyan in The Pilgrim's Progress, first appearing in Part 2 of The Pilgrim's Progress, written in 1684. An alternative variation of the words was produced by Percy Dearmer in 1906.
"I Am a Pilgrim" is a traditional Christian hymn from the United States, first documented in the mid-19th century. It forms part of the repertoire of gospel , folk , and bluegrass artists. The song combines elements from an "[o]ld hymn entwined with Poor Wayfaring Stranger (Sacred Harp - 1844).
Percy Dearmer (1867–1936) revised John Bunyan's (1628–1688) poem "To Be a Pilgrim" in 1906. It became a popular hymn when Charles Winfred Douglas (1867–1944) set it to music in 1917. Here are Dearmer's lyrics, with the internal rhymes in bold.
The song was noted down by Ralph Vaughan Williams in 1909 from a Mrs Ellen Powell of Westhope near Weobley, Herefordshire, [1] and his transcription is available online via the Vaughan Williams Memorial Library. [2] On that occasion it was sung to the tune "Monk's Gate", better known as the tune of "To be a pilgrim", the hymn by John Bunyan. [3]
It is followed by "The Blarney Pilgrim", a three-part jig out of the Cork/Kerry tradition, learnt from Paul Davis. [ 4 ] "Autumn Gold" [ 3 ] : 29–30 is a self-penned ballad by Irvine and the final song of a quartet written during his sojourn in Eastern Europe during 1968–69, after spending several months in Ljubljana .
"Palms of Victory" has been published in several "standard" hymnals, between 1900 and 1966: the Methodist Cokesbury Worship Hymnal of 1923 (hymn no. 142, as "Deliverance Will Come"), [8] the Mennonite Church and Sunday-school Hymnal of 1902 (hymn no. 132), [9] the Nazarene Glorious Gospel Hymns of 1931 (hymn no. 132, as "The Bloodwashed Pilgrim"), [10] the African Methodist Episcopal hymnal of ...
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The music of The Sacred Harp is eclectic in origin, and can be roughly grouped into the following categories of songs (listed chronologically).. In the examples listed below, songs are identified by the page number in the two most prominent modern versions of The Sacred Harp; the so-called "Denson edition" and the "Cooper edition".