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Pandav Lila or Pandav Nritya (Sanskrit; literally "play of the Pandavas" and "dance of the Pandavas" respectively) is a ritual re-enactment of stories from the Hindu epic Mahabharata, through singing, dancing and recitation, that is practised in the Garhwal region of Uttarakhand, India.
The translation is based not on the Critical Edition but on the version known to the commentator Nīlakaṇṭha. Currently available are 15 volumes of the projected 32-volume edition. Indian Vedic Scholar Shripad Damodar Satwalekar translated the Critical Edition of Mahabharata into Hindi [82] which was assigned to him by the Government of ...
Nritya is broadly categorized as one of three parts of Sangita, the other two being gita (vocal music, song) and vadya (instrumental music). [3] [4] [5] These ideas appear in the Vedic literature of Hinduism such as the Aitareya Brahmana, and in early post-Vedic era Sanskrit texts such as the Natya Shastra, Panchatantra, Malvikagnimitra and Kathasaritsagara.
Pandavani, literally means stories or songs of the Pandavas, [7] the legendary brothers of Mahabharat, and involves the lead singer, enacting and singing an episode (called '| prasang) from the epic with an ektara or a tambura (stringed musical instrument), decorated with small bells and peacock feathers in one hand and sometimes kartal (a pair ...
Abhinavagupta; Adi Shankara; Akka Mahadevi; Allama Prabhu; Alvars; Basava; Chaitanya; Ramdas Kathiababa; Chakradhara; Chāngadeva; Dadu Dayal; Eknath; Gangesha Upadhyaya
The Epic-Puranic chronology is a timeline of Hindu mythology based on the Itihasa (the Sanskrit Epics, that is, the Mahabharata and the Ramayana) and the Puranas.These texts have an authoritaive status in Indian tradition, and narrate cosmogeny, royal chronologies, myths and legendary events.
Kichak-Vadh, Mahabharat; Kalighat Painting Seething from the public insult, Draupadi consulted Yudhishthira's brother, Bhima, at night, who was disguised as the palace cook. Together, they hatched a plan wherein Draupadi, who would again be disguised as Malini, would pretend to seduce Kichaka in order to arrange a rendezvous in the dance hall ...
The roots of the Manipuri Raas Leela dance, as with all classical Indian dances, is the ancient Hindu Sanskrit text Natya Shastra, with influences and the cultural fusion between various local folk dance forms. [7] With evidence of Vishnu temples in the medieval era, this dance form has been passed down verbally from generation to generation as ...