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Techno is a genre of electronic dance music [2] which is generally produced for use in a continuous DJ set, with tempos being in the range from 120 to 150 beats per minute (bpm).
Some suspected Keith Jardine was the Techno Viking before the actual man's lawyer stated this to not be the case. Fritsch did not know the man's name at the time of filming. [4] [6] [12] A man who appeared in the 2009 "Bodybuilding" broadcast of the German television show segment Raab in Gefahr [13] was taken to be Techno Viking in a YouTube ...
Hardcore (also known as hardcore techno) [2] [3] is a genre of electronic dance music that originated in the Netherlands, Belgium, and Germany [4] in the early 1990s. It is distinguished by faster tempos and a distorted sawtooth kick (160 to 200 BPM or more [5]), the intensity of the kicks and the synthesized bass (in some subgenres), [6] the rhythm and the atmosphere of the themes (sometimes ...
Techno contra dances are done to techno music, typically accompanied by DJ lighting. Music in a dance can consist of a single tune or a medley of tunes, and key changes during the course of a dance are common. Many callers and bands perform for local contra dances, and some are hired to play for dances around the U.S. and Canada. [3]
The dance is known to the general public through its appearances in videos, including "Alive" by Mondotek, [7] the Tepr remix of "A cause des Garçons" by Yelle, "Sucker" by Dim Chris, or songs by artists such as Lorie. In September 2007, the Techno Parade raised the visibility of Tecktonik. [9]
The accompanying music video was directed by Liam Kan. In 1998 and 1999, it was re-released respectively under the title "Get Up (the '98 Sequel)" and "Get Up (the 1999 Sequel)". The song appears in Dance Dance Revolution Ultramix 4 and Dance Dance Revolution 3rd Mix. It contains a vocal sample of James Brown's "Get Up, Get Into It, Get ...
The music often described with the term originally emerged in the early 1990s from the culture and sound palette of styles of electronic dance music such as acid house, ambient techno, Detroit techno and breakbeat; [4] [5] it has been regarded as better suited to home listening than dancing.
Originally a slow form of electronic dance music, Belgian new beat evolved into a native form of hardcore techno during the early 1990s with the introduction of techno records played at their intended speeds or slightly accelerated. [10] This brutal new hardcore style spread throughout Europe's rave circuit and reached the pop charts. [11]