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"The Real Thing" became a national number one hit for Morris in mid-1969 and is widely considered to be one of the finest Australian pop-rock recordings of the era. [citation needed] "The Real Thing" was added to the National Film and Sound Archive's Sounds of Australia registry in 2013. [7]
"The Real Thing" is a song recorded by British singer, songwriter and actress Lisa Stansfield for her 1997 eponymous album. It was released by Arista as the first proper single from Lisa Stansfield in Europe, Australia and Japan on 10 March 1997, after "People Hold On" (The Bootleg Mixes).
Written by Ken Gold and Michael Denne and produced by Gold, [1] "You to Me Are Everything" was the Real Thing's sole number-one single on the UK Singles Chart, spending three weeks at the top in July 1976. [2] The song was re-released ten years later titled the "Decade Remix" which returned the song to the chart in March 1986, reaching number five.
"The Real Thing" is a song by American singer and songwriter Gwen Stefani from her debut studio album, Love. Angel. Music. Baby. (2004). It was produced by Nellee Hooper and written by Stefani, Linda Perry, and Stefani's then-husband Gavin Rossdale, who is credited under the moniker GMR.
The Real Thing is the third studio album by American rock band Faith No More, released on June 20, 1989, by Slash and Reprise Records. It is the first album to feature singer Mike Patton , following the dismissal of previous vocalist Chuck Mosley .
The Real Thing (Vanessa Williams album) or the title song (see below), 2009 The Real Thing: In Performance (1964–1981) , a video album by Marvin Gaye, 2006 The Real Thing: Words and Sounds Vol. 3 , an album by Jill Scott, or the title song, 2007
The song appears to be about two former lovers who have since moved on and married other people. Now, they are neighbors and occasionally make small talk about the weather. This is not sitting ...
"Even Better Than the Real Thing" is a song by Irish rock band U2, and is the second track on their seventh album, Achtung Baby (1991). It was released as the album's fourth single on 8 June 1992, and it reached number three in Ireland and Canada while becoming a top-ten hit in Austria, New Zealand, and Sweden.