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Autumn Rhythm (Number 30) is a 1950 abstract expressionist painting by American artist Jackson Pollock in the collection of the Metropolitan Museum of Art in New York City. [1] The work is a distinguished example of Pollock's 1947-52 poured-painting style, and is often considered one of his most notable works. [1] [2]
Jackson Pollock and art critic Clement Greenberg saw Sobel's work there in 1946 and later Greenberg noted that Sobel was "a direct influence on Jackson Pollock's drip painting technique". [53] In his essay "American-Type Painting", Greenberg noted those works were the first of all-over painting he had seen, and said, "Pollock admitted that ...
One: Number 31, 1950 is a painting by American painter Jackson Pollock, from 1950. It is one of the largest and most prominent examples of the artist's Abstract Expressionist drip-style works. [1] The work was owned by a private collector until 1968 when it was purchased by the Museum of Modern Art, in New York, where it has been displayed ...
Mural is a largely abstract work with the suggestion of several human figures walking, or possibly birds, or letters and numbers, in broad swirls of black and white. It combines influences from artists such as Thomas Hart Benton, Albert Pinkham Ryder and El Greco, and Mexican mural artists such as David Alfaro Siqueiros.
Media in category "Paintings by Jackson Pollock" The following 2 files are in this category, out of 2 total. Blue Poles (Jackson Pollock painting).jpg 485 × 206; 55 KB
Drip painting is a form of art, often abstract art, in which paint is dripped or poured on to the canvas. [1] This style of action painting was experimented with in the first half of the twentieth century by such artists as Francis Picabia , André Masson and Max Ernst , who employed drip painting in his works The Bewildered Planet , and Young ...
Artists realized that Jackson Pollock's process—the placing of unstretched raw canvas on the floor where it could be attacked from all four sides using artist materials and industrial materials; linear skeins of paint dripped and thrown; drawing, staining, brushing; imagery and non-imagery—essentially took art-making beyond any prior ...
Renowned art collector and supporter Ben Heller [5] acquired the painting in 1957 a year after Jackson Pollock died for a reported $32,000. [6] Heller was friends with Pollock and patronized him and many other American artists during his lifetime. [7] Blue Poles hung in the living room of Heller's 10th floor New York apartment on Central Park ...