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The Mona Lisa (/ ˌ m oʊ n ə ˈ l iː s ə / MOH-nə LEE-sə; Italian: la Gioconda [la dʒoˈkonda] or Monna Lisa [ˈmɔnna ˈliːza]; French: la Joconde [la ʒɔkɔ̃d]) is a half-length portrait painting by Italian artist Leonardo da Vinci.
The technique in this portrait and in the "Mona Lisa" is called "sfumato," in which da Vinci blended colors and shades to get gradual transitions between different shapes in each painting.
This is a portrait of Lisa Gherardini, best known as Mona Lisa or Gioconda, and is a clear copy of Leonardo da Vinci's early 16th century Mona Lisa.This version slightly differs from da Vinci's artwork, exhibited at the Louvre in Paris, and its good workmanship, legibility, and expressiveness have been pointed out.
During the painting's first American presentation in 1963, Fernando Botero—who had already painted Mona Lisa, Age Twelve in 1959—painted another Mona Lisa, this time in what would become his trademark "Boterismo" style of rendering figures disproportionately plump. [36] Andy Warhol created multiple renditions of Mona Lisa in his Pop art ...
The use of this lead oxide powder to thicken and dry the Mona Lisa’s base layer was likely a fresh approach to painting in the early 1500s, but one that became common practice.
Mona Lisa, by Leonardo da Vinci, Louvre Museum The 16th-century portrait Mona Lisa, or La Gioconda (La Joconde), painted in oil on a poplar panel by Leonardo da Vinci, has been the subject of a considerable deal of speculation. Columns and trimming Early copy of the Mona Lisa at the Walters Art Gallery, Baltimore, showing columns on either side of the subject It has for a long time been argued ...
Leonardo da Vinci’s Mona Lisa — one of the most famous paintings in the world — is shrouded in mystery; from questions around the figures identity, to her puzzling, enigmatic expression.
According to the theory of the art historian Marcia B. Hall, [2] which has gained considerable acceptance, [3] sfumato is one of four modes of painting colours available to Italian High Renaissance painters, along with cangiante, chiaroscuro, and unione. [4]