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After Le Bonheur, Prudhomme turned from poetry to write essays on aesthetics and philosophy. He published two important essays: L'Expression dans les beaux-arts (1884) and Réflexions sur l'art des vers (1892), a series of articles on Blaise Pascal in La Revue des Deux Mondes (1890), and an article on free will ( La Psychologie du Libre-Arbitre ...
Sully Prudhomme was nominated for the prize by 17 members of the Académie Française, of which Sully Prudhomme himself was a member.In total the Nobel committee received 37 nominations for 26 writers including Frédéric Mistral (five nominations) and Henryk Sienkiewicz (three nominations) who were subsequently both awarded the prize, and the only woman nominated, Malwida von Meysenburg. [3]
Pensée perdue, on verses by Sully Prudhomme (1898) Wüstenbild, on verses by A. Roderich; Chant indou, on verses by Mlle Géraldine Rolland (c.1898) Dédicace (1899) De ziua ta (1900) Si j'étais Dieu, on verses by Sully Prudhomme (1897–1898) Quarantine, on verses by Enescu (1899) Prinz Waldvogelsgesang for voice, cello and piano (1901) Ein ...
Le Parnasse contemporain (French pronunciation: [lə paʁnas kɔ̃tɑ̃pɔʁɛ̃], "The Contemporary Parnassus", e.g., the contemporary poetry scene) is composed of three volumes of poetry collections, published in 1866, 1871 and 1876 by the editor Alphonse Lemerre.
La forêt: poème lyrique (1875), libretto by Clémence de Grandval. Atala: poème lyrique (c. 1888), libretto by Louis Gallet Mazeppa (1892), libretto by Charles Grandmougin and Georges Hartmann . f.p. Bordeaux, Grand Théâtre Municipal, April 1892, Ch. Haring, cond. with Maurice Devriès (title role), and Bréjean Bravière.
Year Picture Laureate Country Language(s) Citation Genre(s) 1901: Sully Prudhomme (1839–1907) France French "in special recognition of his poetic composition, which gives evidence of lofty idealism, artistic perfection and a rare combination of the qualities of both heart and intellect" [8]
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The anthology was first issued in 1866 and again in 1871 and 1876, including poems by Charles Leconte de Lisle, Théodore de Banville, Sully Prudhomme, Stéphane Mallarmé, Paul Verlaine, François Coppée, Nina de Callias, and José María de Heredia. The Parnassians were influenced by Théophile Gautier and his doctrine of "art for art's sake ...