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Jules Munshin (February 22, 1915 – February 19, 1970) was an American actor, comedian and singer who had made his name on Broadway when he starred in Call Me Mister. His additional Broadway credits include The Gay Life and Barefoot in the Park .
Actor Role Dean Martin: Ray Hunter Anna Maria Alberghetti: Nina Martelli Eva Bartok: Maria Martelli Dewey Martin: Mike Clark Walter Slezak: Papà Vittorio Martelli Paul Henreid: Anton Jules Munshin: Arthur Marcel Dalio: Vittorio Cisini Evelyn Varden: Countess Alzani Lisa Montell: Diana Martelli Betty Wand: Diana Martelli (singing voice) Lisa ...
During the summer months, Garrett performed in the Borscht Belt, where she had the opportunity to work with Danny Kaye, Jerome Robbins, Carol Channing, Imogene Coca, and Jules Munshin, and she was encouraged to hone her singing and dancing skills. [6]
It stars Frank Sinatra, Esther Williams, Gene Kelly, Betty Garrett, Edward Arnold and Jules Munshin, and was directed by Busby Berkeley. The title and nominal theme is taken from the unofficial anthem of American baseball, "Take Me Out to the Ball Game." The film was released in the United Kingdom as Everybody's Cheering.
That Midnight Kiss is a 1949 Technicolor American musical romance film also starring Mario Lanza (in his first leading role) and Kathryn Grayson.Among the supporting cast were Ethel Barrymore, conductor/pianist Jose Iturbi (playing himself), Keenan Wynn, J. Carrol Naish, and Jules Munshin.
Jules Munshin: 245: September 10, 1963 () Mitch Miller, Shari Lewis, Andy Sinatra: Jan ... singing group The Willis Sisters and actor/comedian Dave King.
It was intended to reunite Gene Kelly with his On the Town co-stars Frank Sinatra and Jules Munshin; it was to be produced as a Broadway show. [5] Comden stated, "While we were trying out to think of another idea for Gene, by chance we told him this story. Gene liked it." [6] Kelly instead persuaded them to re-envision their idea into a musical ...
The Jerome Robbins ballet Fancy-Free (1944), with music by Leonard Bernstein, was a hit for the American Ballet Theatre, and Oliver Smith, who designed the sets; his business partner, Paul Feigay, thought that the ballet could be turned into a Broadway musical.