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The conservation and restoration of outdoor bronze artworks is an activity dedicated to the preservation, protection, and maintenance of bronze objects and artworks that are on view outside. When applied to cultural heritage this activity is generally undertaken by a conservator-restorer .
The conservation and restoration of outdoor artworks is the activity dedicated to the preservation and protection of artworks that are exhibited or permanently installed outside. These works may be made of wood , stone , ceramic material , plastic , bronze , copper , or any other number of materials and may or may not be painted.
Water causes damage and results from natural occurrences, technological hazards, or mechanical failures. Many cases of water damage can be traced to accidents or neglect. "A great many of the materials that museum objects are made of are highly susceptible to contact with water and can be severely damaged by even brief contact, while others may be exposed to water for longer periods without harm.
Apr. 25—The outdoor bronze sculpture has been a landmark at the Hylant Building in downtown Toledo for as long as Jeannie Hylant can remember, and now it's gone. Ms. Hylant, executive vice ...
Derveni krater, bronze, 350 BC, height: 90.5 cm (35 1 ⁄ 2 in.), Inv. B1, Archaeological Museum of Thessaloniki, after cleaning and conservation. Conservation and restoration of metals is the activity devoted to the protection and preservation of historical (religious, artistic, technical and ethnographic) and archaeological objects made partly or entirely of metal.
The conservation and restoration of silver objects is an activity dedicated to the preservation and protection of objects of historical and personal value made from silver. When applied to cultural heritage this activity is generally undertaken by a conservator-restorer .
Like any museum objects, the handling of bone, antler, and horn should be conducted in a manner conducive to maintaining the health of the object. While these objects may be handled with clean, dry hands, body oils can stain their surface due to the porosity of these materials. This is especially noticeable on light-colored antler, horn, and bone.
Practitioners predominantly come from backgrounds in horticulture, garden design, landscape design, and landscape architecture.To prepare a management plan for a historic garden, such experts require knowledge and skills in environmental design, horticulture, landscape history, architectural history, and management.