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Mary Farmer (6 August 1940 – 1 February 2021) was a UK-based weaver of tapestries and rugs, she led developments in tapestry in the late 20th century with a number of roles across higher education culminating in Course Director at the Royal College of Art. Her client list included royalty, government departments, major corporations, museum ...
The first artists moved in at the end of 1957 and, over the next 27 years, nearly 150 were accommodated there. Some notable members included Michael Andrews, Ralph Brown, John Brunsdon, James Butler, Peter Collingwood, Mary Farmer (textile artist, tapestries and rugs), [3] [4] Hans Coper, Lol Coxhill, Elizabeth Fritsch and John W Mills.
Terry Moores died 21 August 2014 in Boston, Lincolnshire, England leaving his widow Mary Farmer. [11] The Warehouse at 50 High Street, Boston, Lincolnshire, and the contribution of Mary Farmer and Terry Moores to their respective fields as Designer Craftspeople has been recognised by the Boston Preservation Trust's Blue Plaque scheme.
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Mary Adshead (1904–1995), painter, illustrator, designer Eileen Agar (1899–1991), painter and photographer Sam Ainsley (born 1950), painter and tapestry artist
Lost artworks are original pieces of art that credible sources or material evidence indicate once existed but that cannot be accounted for in museums or private collections, as well as works known to have been destroyed deliberately or accidentally or neglected through ignorance and lack of connoisseurship.
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Mary used tapestry to line her bedchamber at Tutbury against the cold, making a kind of tent. Her requests caused some confusion in the correspondence of John Somers and William Cecil. [39] At Fotheringhay in 1587 she had six pieces of Meleager and six of the Battle of Ravenna which she wished to be sold to pay for her servants' journeys home. [40]