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Post-Impressionists extended Impressionism while rejecting its limitations: they continued using vivid colours, thick application of paint, distinctive brush strokes, and real-life subject matter, but they were more inclined to emphasize geometric forms, to distort form for expressive effect, and to use unnatural or arbitrary colour.
Henri Rousseau, The Centenary of Independence, 1892, Getty Center, Los Angeles Paul Cézanne, Les Joueurs de cartes, Metropolitan Museum of Art, New York. Post-Impressionism (also spelled Postimpressionism) was a predominantly French art movement that developed roughly between 1886 and 1905, from the last Impressionist exhibition to the birth of Fauvism.
Paintings of the Post-Impressionist style. Subcategories. This category has the following 7 subcategories, out of 7 total. ... Still Life with a Parrot; Still Life ...
Fruit Bowl on a Table is a c. 1934 still-life oil painting by the French artist Pierre Bonnard which was bought by the city of Strasbourg in 1995 from the heiresses of Claude Roger-Marx. Today this painting is in the Musée d'Art moderne et contemporain. [1] [2]
Eugène Henri Paul Gauguin (/ ɡ oʊ ˈ ɡ æ n /; French: [øʒɛn ɑ̃ʁi pɔl ɡoɡɛ̃]; 7 June 1848 – 8 May 1903) was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements.
The Basket of Apples (French: Le panier de pommes) is a still-life oil painting by French artist Paul Cézanne, which he created c. 1893.The painting rejected naturalistic representation in favor of distorting objects to create multiple perspectives.
The painting is from his "dark period" and is done in a realist style, as were many of his early works before he moved into an impressionist style and then post-impressionist. [1] [2] In 1865 it was rejected for an exhibit at the Salon. [3] According to Le Monde it is "one of Paul Cézanne's most important early still lifes". [3]
When van Gogh created still life paintings he was able to explore light and its effect on colors. A close-up of the bottle in Still Life with Straw Hat reveals that way in which van Gogh used varying shades of the same color to depict how light would fall, or be shaded, in the everyday items he painted from home or the garden. [4]