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Graphic notation (or graphic score) is the representation of music through the use of visual symbols outside the realm of traditional music notation. Graphic notation became popular in the 1950s, and can be used either in combination with or instead of traditional music notation. [ 1 ]
Public domain scores and books. Eastman School of Music at the University of Rochester: Spohr-Briefe: 19th-century, German: 6,000 Letters from and to the composer, violinist and conductor Louis Spohr. Spohr Museum Tablature in PDF and PostScript: lute, tab: 75 Lute music available in EPS, PDF, MIDI, or TAB format. Wayne Cripps of Dartmouth College
Music is available for free download in a variety of formats, including score images in PDF, PS and TIFF format, sound files in MIDI and MP3 formats, and in the notation formats supported by various notation programs, including Finale, Sibelius, NoteWorthy Composer, Encore, and the open source GNU LilyPond.
Earle Brown (December 26, 1926 – July 2, 2002) was an American composer who established his own formal and notational systems. Brown was the creator of "open form," [1] a style of musical construction that has influenced many composers since—notably the downtown New York scene of the 1980s (see John Zorn) and generations of younger composers.
Written between 1963 and 1967, Treatise is a graphic musical score comprising 193 pages of lines, symbols, and various geometric or abstract shapes that largely eschew conventional musical notation. Implicit in the title is a reference to the philosophy of Ludwig Wittgenstein, which was of particular inspiration to Cardew in composing the work. [1]
Musical notation is any system used to visually represent music. Systems of notation generally represent the elements of a piece of music that are considered important for its performance in the context of a given musical tradition. The process of interpreting musical notation is often referred to as reading music.
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Music examples are an obviously valuable and necessary addition to Wikipedia, often superior to text. These are both far more valuable and far more free than music samples being abstract categories applicable to multiple examples without any of the copyright or other law applicable to samples.