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The Births and Deaths Registration Act 1874 (37 & 38 Vict. c. 38) tried to ensure all deaths were registered, by placing a duty on the persons who were supposed to register the death to do so. No specific penalty was imposed if they failed to do so, but if the registrar became aware of any deaths that had not been registered within the past ...
The Births and Deaths Registration Acts 1836 to 1874 is the collective title of the following Acts: [1] The Births and Deaths Registration Act 1836 ( 6 & 7 Will. 4 . c.
Title Director Cast Country Subgenre/Notes 2001: A Space Odyssey: Stanley Kubrick: Keir Dullea, Gary Lockwood, William Sylvester: United Kingdom United States: Adventure [nb 1]: The Astro-Zombies
In 1875, the Births & Deaths Act 1874 came into force, whereby those present at a birth or death were required to report the event. [24] Subsequent legislation introduced similar systems in Ireland (all of which was then part of the United Kingdom) on 1 April 1845 for Protestant marriages and on 1 January 1864 for all birth, marriage and death ...
Births and Deaths Registration Act 1874: Image title: Author: Software used: FOP 1.0: Conversion program: Apache FOP Version 2.1: Encrypted: no: Page size: 595.276 x ...
The Births and Deaths Registration Act, 1874. In section sixteen the words "the jury shall require of the particulars required to be registered concerning the death and," section seventeen from the first "upon holding an inquest" to "registry of the death and," and from "and except on holding an inquest" down to "shall be given by the coroner."
The year 1968 in film involved some significant events, most notably with the release of Stanley Kubrick's 2001: A Space Odyssey, as well as two highly successful musical films, Funny Girl and Oliver!, the former earning Barbra Streisand the Academy Award for Best Actress (an honour she shared with Katharine Hepburn for her role in The Lion in Winter) and the latter winning both the Best ...
The Monthly Film Bulletin wrote: "The pink mist that billows from the eye socket of a skull throughout the opening credits augurs both the pretensions and the weaknesses of this rather dull exercise in the macabre. Despite some sterling decomposition work by the make-up department, the film relies heavily on old Hammer production tricks without ...