Ad
related to: history of philippine photography
Search results
Results From The WOW.Com Content Network
The pioneers of photography in the Philippines were Western photographers, mostly from Europe.The practice of taking photographs and the opening of the first photo studios in Spanish Philippines, from the 1840s to the 1890s, were driven by the following reasons: photographs were used as a medium of news and information about the colony, as a tool for tourism, as an fork anthropology, as a ...
Eduardo Masferré (April 18, 1909 – June 24, 1995) was a Filipino-Catalan photographer who made important documentary reports about the lifestyle of native people in the region of the Cordillera in the Philippines at the middle of 20th century. [1] He is regarded as the Father of Philippine photography. [2]
Félix Laureano was born in 1866 in the town of Patnongon, Antique in Spanish Philippines to Zamora, Spain-born Augustinian priest Manuel Asensio and Norberta Laureano de los Santos. Felix grew up in the neighboring town of Bugasong where his father was assigned as the parish priest since 1860.
This is a list of photographs considered the most important in surveys where authoritative sources review the history of the medium not limited by time period, region, genre, topic, or other specific criteria. These images may be referred to as the most important, most iconic, or most influential—but they are all considered key images in the ...
This category subsumes Category:Filipino photographers, who are not additionally listed individually below.. As for other photographers, they are listed if they have done a substantial amount of work in the Philippines (at a minimum, one book devoted to it) or if their work there was of unusual historical or other significance.
Pages for logged out editors learn more. Contributions; Talk; Pioneers of photography in the Philippines
Main page; Contents; Current events; Random article; About Wikipedia; Contact us
Year Date Event Source c.200 AD The Maitum Jars are anthropomorphic jars that were depicting children (head is the lead of the jar with ears and the body was the jar itself with hands and feet as the handle) with perforations in red and black colors, had been used as a secondary burial jars in Ayub Cave, Pinol, Maitum Sarangani province, each of the jars had a "facial expression".