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Each of the three forms of medium – oral, print, and electronic – has a different form of textuality that reflects the way the sensory modalities are stimulated. An example of textuality in the oral medium is the sound itself. An example of textuality in the print medium is the physicality of a book.
Medium theory is a mode of analysis that examines the ways in which particular communication media and modalities impact the specific content (messages) they are meant to convey. It Medium theory refers to a set of approaches that can be used to convey the difference in meanings of messages depending on the channel through which they are ...
Portuguese literature by medium (1 C) Taiwanese literature by medium (2 C) Tunisian literature by medium (1 C) B. Books (57 C, 12 P) E. Electronic literature (7 C, 38 ...
Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially novels, plays, and poems. [1] It includes both print and digital writing. [2] In recent centuries, the definition has expanded to include oral literature, much of which has been transcribed.
In literature and other artistic media, a mode is an unspecific critical term usually designating a broad but identifiable kind of literary method, mood, or manner that is not tied exclusively to a particular form or genre. Examples are the satiric mode, the ironic, the comic, the pastoral, and the didactic. [1]
Literary adaptation is adapting a literary source (e.g. a novel, short story, poem) to another genre or medium, such as a film, stage play, or video game. It can also involve adapting the same literary work in the same genre or medium just for different purposes, e.g. to work with a smaller cast, in a smaller venue (or on the road), or for a ...
With likely origins in oral tradition, the narrative technique of beginning a story in medias res is a stylistic convention of epic poetry, the exemplars in Western literature being the Iliad and the Odyssey (both 7th century BC), by Homer. [3] Likewise, the Mahābhārata (c. 8th century BC – c. 4th century AD) opens in medias res.
In addition to the above definition, Aarseth explained ergodic literature as two-fold: a normal text and a machine capable of producing several manifestations of a text. [3] One of the major innovations of the concept of ergodic literature is that it is not medium-specific so long as the medium has the ability to produce an iteration of the text.