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In 2009, Béatrice Marchal transcribed and published manuscripts of love poetry composed by Sauvage between 1914-1915. Marchal demonstrated that these sensual love poems were written by Sauvage to her lover, Jean de Gourmont, an editor at Mercure de France with whom Sauvage had an affair sometime in 1914.
Arawaruru Koi (あらはるる恋, [c] "obvious love") presents the most openly sensual print in the series. The plump, sensual woman seems to care little that her kimono is open, exposing a breast. Her hairdo is in disarray, the kanzashi hairpin at the front about to fall off, and she holds one of the hairpins in her left hand. She appears to ...
Tarjumān al-Ashwāq (The Translator of Desires) by Ibn Arabi is a collection of love poetry. Outside of Al-Andalus, Kitab al-Zahra (Book of the Flower) by Ibn Dawud and Risala fi'l-Ishq (Treatise of Love) by Ibn Sina are roughly contemporary treaties on love. Ibn Arabi and Ibn Sina both weave together themes of sensual love with divine love. [20]
The poem is structurally unusual for Dickinson, using lines with only two metric feet instead of her typical three and four feet iambs. [3] Judith Farr writes that the opening spondees makes the poem theatrical, turbulent, and stormy, appropriate for the subject matter, and shows her interest in the Brontë sisters and Wuthering Heights. [4]
CIL 4.5296 (or CLE 950) [a] is a poem found graffitied on the wall of a hallway in Pompeii.Discovered in 1888, it is one of the longest and most elaborate surviving graffiti texts from the town, and may be the only known love poem from one woman to another from the Latin world.
While the poems are basically love poems their natural setting includes references to a number of plant and animal species. Some plant species such as Ricinus communis and Pandanus are mentioned just once. Others, for example, mango(17) and lotus (49) are mentioned in several poems. Altogether 170 poems mention plant species.