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Anna de Noailles – Love Poem; Book of My Life; Audre Lorde – Cables to Rage, Martha; Becky Birtha – The Forbidden Poems; Carol Ann Duffy – Feminine Gospels; Love Poems; Cherríe Moraga – La Guera; Chrystos – In Her I Am; Edna St Vincent Millay – Women Have Loved Before as I Love Now; What Lips My Lips Have Kissed
Poświatowska is famous for her lyrical poetry, and for her intellectual, passionate yet unsentimental poetry on the themes of death, love, existence, famous historical personages, especially women, as well as her mordant treatment of life, living, being, bees, cats and the sensual qualities of loving, grieving and desiring.
The poem is structurally unusual for Dickinson, using lines with only two metric feet instead of her typical three and four feet iambs. [3] Judith Farr writes that the opening spondees makes the poem theatrical, turbulent, and stormy, appropriate for the subject matter, and shows her interest in the Brontë sisters and Wuthering Heights. [4]
Tarjumān al-Ashwāq (The Translator of Desires) by Ibn Arabi is a collection of love poetry. Outside of Al-Andalus, Kitab al-Zahra (Book of the Flower) by Ibn Dawud and Risala fi'l-Ishq (Treatise of Love) by Ibn Sina are roughly contemporary treaties on love. Ibn Arabi and Ibn Sina both weave together themes of sensual love with divine love. [20]
Her poems have attracted attention for their sensual imagination and violence. [3] Kim was a radio host for “Kim Yi-deum’s Monday Poetry Picks” (김이듬의 월요시선), which aired on KBS Radio Jinju. In 2012, she spent a semester at the Free University of Berlin as a writer in residence, sponsored by Arts Council Korea.
Sappho 31 is a lyric poem by the Archaic Greek poet Sappho of the island of Lesbos. [a] The poem is also known as phainetai moi (φαίνεταί μοι lit. ' It seems to me ') after the opening words of its first line, and as the Ode to Anactoria, based on a conjecture that its subject is Anactoria, a woman mentioned elsewhere by Sappho.
The work is composed of a series of love poems addressed to a woman named Tina. In the same year he published in Parma Il simulacro della bellezza, composed of a series of love madrigals. A follower of Marino, Crasso is inspired by a sensual melodic vein which makes his verses feel sincere and passionate. [1]
Arawaruru Koi (あらはるる恋, [c] "obvious love") presents the most openly sensual print in the series. The plump, sensual woman seems to care little that her kimono is open, exposing a breast. Her hairdo is in disarray, the kanzashi hairpin at the front about to fall off, and she holds one of the hairpins in her left hand. She appears to ...