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  2. Malkauns - Wikipedia

    en.wikipedia.org/wiki/Malkauns

    The komal Ni in Malkauns is different from the komal Ni in Bhimpalasi. The best time for this raga is late night. The effect of the raga is soothing and intoxicating. In teaching this rāg to students in the early 1980s, Ali Akbar Khan confirmed that Malkaush is a midnight rāg of Bhairavi thaat, Aurav jati, with moods of devotion, peace and ...

  3. List of ragas in Hindustani classical music - Wikipedia

    en.wikipedia.org/wiki/List_of_ragas_in...

    This is a list of various Ragas in Hindustani classical music.There is no exact count/known number of ragas which are there in Indian classical music.. Once Ustad Vilayat Khan saheb at the Sawai Gandharva Bhimsen Festival, Pune said before beginning his performance – "There are approximately four lakh raags in Hindustani Classical music.

  4. Dhani (raga) - Wikipedia

    en.wikipedia.org/wiki/Dhani_(raga)

    It is a sprightly raga often described as Bhimpalasi sans the notes, Dha and Re. It however has its own distinct character. Dhani is frequently heard in popular music. [1] This raga is also known as the romantic version of Raag Malkauns. It is similar to Malkauns, except that in the Aaroh and Avroh, Komal Dha is replaced by Pa in this raga [2]

  5. Malgunji - Wikipedia

    en.wikipedia.org/wiki/Malgunji

    This Raag employs Shuddha Gandhar in Aaroh and Komal Gandhar in Avroh. Raga Vachak notes of Raag Malgunji are S, D, n S G, R G m which are recurring. Shuddha Gāndhāra is a Prominent note. Vadi is Madhyama and Samavadi is Ṣaḍja. This Raga can be expanded in all the three octaves. This Raga creates a heavy atmosphere. Svaras. The Svaras in ...

  6. Raga - Wikipedia

    en.wikipedia.org/wiki/Raga

    A raga (IAST: rāga, IPA:; also raaga or ragam or raag; lit. ' colouring ' or ' tingeing ' or ' dyeing ' [ 1 ] [ 2 ] ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode . [ 3 ]

  7. Shadja - Wikipedia

    en.wikipedia.org/wiki/Shadja

    Ragas where Sa is the Vadi svara - Raga Malkauns, etc. Ragas where Sa is the Samvadi svara - Raga Kedar. Hypothetically speaking, Shadaj is said to be the Sakar Bhrama , Sakar Bhrama as in the three main gods, Bhrama, Vishnu and Shiva. Sa is made the acronym of Sakar for showing the importance of the syllable Sa. [4]

  8. Chandrakauns - Wikipedia

    en.wikipedia.org/wiki/Chandrakauns

    Song Film Composer Singer Maalai Pozhuthin Mayakkathile Bhagyalakshmi: Viswanathan–Ramamoorthy: P. Susheela: Unnai Yen Sandhithen Idhaya Thamarai

  9. Sound of the Sitar - Wikipedia

    en.wikipedia.org/wiki/Sound_of_the_Sitar

    Printable version; In other projects ... 1993 and in a digitally remastered version through Angel Records in 2000. Track listing "Raga Malkauns (Alap)" – 10:02 ...