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Saxophone Colossus is the sixth studio album by American jazz saxophonist Sonny Rollins. Perhaps Rollins's best-known album, it is often considered his breakthrough record. [ 4 ] It was recorded monophonically on June 22, 1956, with producer Bob Weinstock and engineer Rudy Van Gelder at the latter's studio in Hackensack, New Jersey .
Download QR code; Print/export ... In the opinion of many of the saxophone player's fans it is the equal of the epochal Saxophone Colossus recordings." [3]
The AllMusic review by Michael G. Nastos calls the album "a recording that should stand proudly alongside Saxophone Colossus as some of the best work of Sonny Rollins in his early years, it's also a testament to the validity, vibrancy, and depth of modern jazz in the post-World War era. It belongs on everybody's shelf."
Writing for Allmusic, Scott Yanow praised the album, saying it was "arguably Sonny Rollins' best recording of the past decade, and is a highly recommended set", and that "[w]hile many of his detractors feel that his studio recordings since the 1970s have not had the excitement of his live concerts, they should find much to enjoy on this passionate if not flawless set".
The concert was originally filmed for Saxophone Colossus, Robert Mugge's documentary on Rollins. [2] Some tenor saxophone parts were recorded in studio on April 9, 1987, and overdubbed onto the track "Kim", [3] and G-Man was released in November of that year by Milestone Records. [4]
"St. Thomas" became popular when it was released on Rollins's 1956 album Saxophone Colossus, though it had been recorded by Randy Weston in 1955 under the title "Fire Down There", on his Get Happy album. On the digital encyclopedia program, Encarta, a clip of "St. Thomas" could be played as an example of Jazz music in the 'Jazz' entry [3]
The Boston Globe wrote: "The calypso-jazz peregrinations of Sonny Rollins and his stalking- horse tenor saxophone are heard again in his current LP, No Problem (Milestone) with special cheers reserved for the title song and his manic mischief on the Dolly Parton hit, 'Here You Come Again'."
Hard bop is a subgenre of jazz that is an extension of bebop (or "bop") music. Journalists and record companies began using the term in the mid-1950s [1] to describe a new current within jazz which incorporated influences from rhythm and blues, gospel music, and blues, especially in saxophone and piano playing.