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The original poem was published in 1910 and was included in the 1910 collection Gitanjali and, in Tagore's own translation, in its 1912 English edition. "Where the mind is without fear" is the 35th poem of Gitanjali , and one of Tagore's most anthologised poems.
The ten works, and the number of poems selected from each, are as follows: [3] Gitanjali - 69 poems (out of 157 poems in Song Offerings) Geetmalya - 17 poems; Naibadya - 16 poems; Kheya - 11 poems; Shishu - 3 poems; Chaitali - 1 poem; Smaran - 1 poem; Kalpana - 1 poem; Utsarga - 1 poem; Acholayatan - 1 poem; Song Offerings is a collection of ...
The poem is not a conventional part of the Classical genre of Theocritan elegy, because it does not mourn an individual. The use of "elegy" is related to the poem relying on the concept of lacrimae rerum, or disquiet regarding the human condition. The poem lacks many standard features of the elegy: an invocation, mourners, flowers, and shepherds.
Appreciation: Thank someone for their support, love, or friendship in a letter and share specific reasons why they matter to you. 102. A family recipe : Share a cherished family recipe along with ...
The present is a state of mind, and in fact, is the most natural state of mind, the state your mind wants to be in, Deepak Chopra explains. Deepak Chopra: Only the present mind is without fear ...
Retrieved from "https://en.wikipedia.org/w/index.php?title=Where_the_mind_is_without_fear&oldid=85752007"https://en.wikipedia.org/w/index.php?title=Where_the_mind_is
"The Mental Traveller" is a poem by William Blake. It is part of a collection of unpublished works called The Pickering Manuscript and was written in a manner that suggests the poem was to be read directly from the collection. The poem is about travelling in the realm of the mind.
"Negative capability" is the capacity of artists to pursue ideals of beauty, perfection and sublimity even when it leads them into intellectual confusion and uncertainty, as opposed to a preference for philosophical certainty over artistic beauty. The term, first used by John Keats in 1817, has been subsequently used by poets, philosophers and literary theorists to describe the ability to ...