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Audio mixing for film and television is a process during the post-production stage of a moving image program by which a multitude of recorded sounds are combined. In the editing process, the source's signal level, frequency content, dynamics, and panoramic position are commonly manipulated and effects added.
Sound mixer at work. A production sound mixer, location sound recordist, location sound engineer, or simply sound mixer is the member of a film crew or television crew responsible for recording all sound recording on set during the filmmaking or television production using professional audio equipment, for later inclusion in the finished product, or for reference to be used by the sound ...
In sound recording and reproduction, audio mixing is the process of optimizing and combining multitrack recordings into a final mono, stereo or surround sound product. In the process of combining the separate tracks, their relative levels are adjusted and balanced and various processes such as equalization and compression are commonly applied ...
Most other aspects of audio for moving pictures occur during the post-production phase, everything is done after filming. This also may include sound design or the creation of sound effects, which can occur during pre-production, production, or post-production. This applies to television, cinema and commercials.
Audiography ("writing sound") within Indian-style filmmaking, is the audio engineering performed by the sound department of a film or TV production; this includes sound recording, editing, mixing and sound design (formerly sound effects laying) but excludes musical composition, songwriting and choreography.
Once they gather the material and prepare for use, they practice the sounds. When they accomplish the desired sound, they watch the film and add in the sound effects at the same time. This is similar to the way actors re-record dialogue, lip-syncing to the video or film image. Scenes where dialogue is replaced using dubbing also feature Foley ...
In sound mixing for film, the preparation of stems is a common stratagem to facilitate the final mix. Dialog, music and sound effects, called "D-M-E", are brought to the final mix as separate stems. Using stem mixing, the dialog can easily be replaced by a foreign-language version, the effects can easily be adapted to different mono, stereo and ...
A re-recording mixer in North America, also known as a dubbing mixer in Europe, is a post-production audio engineer who mixes recorded dialogue, sound effects and music to create the final version of a soundtrack for a feature film, television program, or television advertisement.