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Ariwara no Narihira (在原 業平, 825 – 9 July 880) was a Japanese courtier and waka poet of the early Heian period.He was named one of both the Six Poetic Geniuses and the Thirty-Six Poetic Geniuses, and one of his poems was included in the Ogura Hyakunin Isshu collection.
Pages for logged out editors learn more. ... Download as PDF; Printable version; In other projects ... Pages in category "Poems about nature" The following 4 pages ...
The Sangam landscape (Tamil: அகத்திணை "inner classification") is the name given to a poetic device that was characteristic of love poetry in classical Tamil Sangam literature. The core of the device was the categorisation of poems into different tiṇai s or modes, depending on the nature, location, mood and type of relationship ...
Like nature's patient, sleepless Eremite, The moving waters at their priestlike task Of pure ablution round earth's human shores, Or gazing on the new soft-fallen masque Of snow upon the mountains and the moors--No--yet still stedfast, still unchangeable, Pillow'd upon my fair love's ripening breast,
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Poems of Sentiment and Reflection.(1815–43); Poems written in Youth(1845) 1798 The Reverie of Poor Susan 1797 Former title: Bore the title of "Poor Susan" from 1800–1805 "At the corner of Wood Street, when daylight appears," Poems of the Imagination: 1800 When Love was born of heavenly line 1795 "When Love was born of heavenly line,"
Both poems explore power, sexual love, and nature but from slightly different stances. While "Hortus" stresses the opposition between sexual love and the love of nature by suggesting that nature tames love, “The Garden” deems sexual love as a threat to nature and the contemplative life sought in the Garden. [35]
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