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The Thomas Cole National Historic Site, also known as Cedar Grove, is a National Historic Landmark that includes the home and the studio of painter Thomas Cole, founder of the Hudson River School of American painting. It is located at 218 Spring Street, Catskill, NY, United States. The site provided Thomas Cole with a residence and studio from ...
An 1837 portrait of Cole by fellow Hudson River School painter Asher Brown Durand. Thomas Cole was an English-born American artist and the founder of the Hudson River School art movement. [1] [2] Cole is widely regarded as the first significant American landscape painter.
Thomas Chambers: More images: 1808 1869 Charles H. Chapin: More images: 1830 1889 Frederic Edwin Church: More images: 4 May 1826 7 April 1900 Student of Thomas Cole, he became a central figure in the Hudson River School of American landscape painters. Church is perhaps best known for painting large panoramic landscapes, often depicting dramatic ...
Thomas Cole (February 1, 1801 – February 11, 1848) was an English-born American artist and the founder of the Hudson River School art movement. [ 1 ] [ 2 ] Cole is widely regarded as the first significant American landscape painter.
Thomas Cole (1801–1848), The Oxbow, View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm (1836), Metropolitan Museum of Art. The Hudson River School was a mid-19th-century American art movement embodied by a group of landscape painters whose aesthetic vision was influenced by Romanticism.
The light is generally cool, hard, and non-diffuse; "soft, atmospheric, painterly light is not luminist light". Brushstrokes are concealed to minimize recognition that the painting is an artefact. Luminist paintings tend not to be large to suggest a sense of timeless intimacy. The picture surface or plane is emphasized, recalling primitivism ...
Portrait of Thomas Cole by Asher B. Durand, 1837. The Course of Empire is a series of five paintings created by the English-born American painter Thomas Cole between 1833 and 1836, and now in the collection of the New-York Historical Society. The series depicts the growth and fall of an imaginary city, situated on the lower end of a river ...
As curator and director at two major art museums, he has written numerous exhibit reviews and introductions to exhibit catalogs. Among the more notable of these is his 1980 essay on early American Luminist painter Fitz Hugh Lane. [37] As a scholar of the works of Thomas Cole, Powell has written extensively on the painter's art.