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Greta oto is a species of brush-footed butterfly and member of the subfamily Danainae, tribe Ithomiini, and subtribe Godyridina.It is known by the common name glasswing butterfly for its transparent wings, which allow it to camouflage without extensive coloration.
Port with the disembarkation of Cleopatra in Tarsus (1642), by Claude Lorrain, Musée du Louvre, Paris. Light in painting fulfills several objectives like, both plastic and aesthetic: on the one hand, it is a fundamental factor in the technical representation of the work, since its presence determines the vision of the projected image, as it affects certain values such as color, texture and ...
Most dictionaries and definitions of shan shui assume that the term includes all ancient Chinese paintings with mountain and water images. [3] Contemporary Chinese painters, however, feel that only paintings with mountain and water images that follow specific conventions of form, style and function should be called "shan shui painting".
Ink wash painting (simplified Chinese: 水墨画; traditional Chinese: 水墨畫; pinyin: shuǐmòhuà); is a type of Chinese ink brush painting which uses washes of black ink, such as that used in East Asian calligraphy, in different concentrations.
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
Abbott Handerson Thayer (August 12, 1849 – May 29, 1921) was an American painter, naturalist, and teacher.As a painter of portraits, figures, animals, and landscapes, he enjoyed a certain prominence during his lifetime, [1] and his paintings are represented in major American art collections.
For example, Texcocan artist Fernando de Alva Cortés Ixtlilxóchitl painted with ink and watercolor on paper in the late 16th century. Bound together in the Codex Ixtlilxóchitl, these portraits of historical Texcocan leaders are rendered with shading, modeling and anatomic accuracy. [ 49 ]
The background reveals several animals that would have been exotic to contemporaneous Europeans, including a giraffe, a monkey riding an elephant, and a lion that has killed and is about to devour his prey. In the foreground, from a large hole in the ground, emerge birds and winged animals, some of which are realistic, some fantastic.