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Beautiful Surrender was a breakthrough hit for Jonathan David & Melissa Helser, accruing sales of 9,000 copies in its first week, thus vaulting in at No. 1 on Billboard-issued Christian Albums chart dated October 22, 2016, chronicling the best selling releases of the genre that week. [12] The album also reached No. 54 on the US Billboard 200 ...
Jonathan David & Melissa Helser are an American Christian music husband and wife duo from Sophia, North Carolina, who started their music recording careers together in 2013. They have released three studio albums with Bethel Music , Endless Ocean, Bottomless Sea (2014), On the Shores (2015) and Beautiful Surrender (2016).
Bethel Music's live album, We Will Not Be Shaken was produced by Bobby Strand and Chris Greely, and introduces 11 original songs led by the Bethel Music Artist Collective, including Brian Johnson, Jenn Johnson, Hunter Thompson, Amanda Cook and Matt Stinton, as well as debut artists Kalley Heiligenthal, Hannah McClure, Paul McClure, Jonathan ...
Composed by Jonathan Helser, Joel Case and Brian Johnson, [4] a live version of the song was released as part of the Bethel Music compilation, We Will Not Be Shaken, on January 26, 2015. [5] The live version was recorded on a mountaintop overlooking Shasta Lake in northern California, [6] with Jonathan David & Melissa Helser leading the song. [7]
[6] Matt Collar of All Music said, "Recorded live in 2014, Bethel Music's We Will Not Be Shaken showcases the praise and worship ensemble performing in a beautiful mountaintop setting in Redding, California. Showcased here are Bethel Music singer/songwriters Brian and Jenn Johnson, Matt Stinton, Amanda Cook, and Hunter Thompson.
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"Revival's in the Air" is a song by Bethel Music and Melissa Helser, which was released as the fifth single from Bethel Music's twelfth live album, Revival's in the Air (2020), on September 4, 2020. [1] The song was written by Jonathan David Helser, Melissa Helser, Cadence Helser. [2]
The I–V–vi–IV progression is a common chord progression popular across several music genres. It uses the I, V, vi, and IV chords of the diatonic scale. For example, in the key of C major, this progression would be C–G–Am–F. [1] Rotations include: I–V–vi–IV: C–G–Am–F; V–vi–IV–I: G–Am–F–C