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The tapestries depicted characters from the story of Troy but in fifteenth-century European dress and the artist John Carter (1748-1817) observed in 1799 that "there is hardly one mark of the Roman or Grecian manners, and but for the name of the several characters engaged in the history written on their dresses, we might conclude the representation related to some eventful period of our own ...
By 1884 the condition of a number of tapestries at Hampton Court, including the Story of Abraham series, had reached parliament and the Treasury granted a sum of £400 for 13 needle-women to complete restoration on some 37 works. In 1887 they were valued at £200,000. George V set up a committee tasked with preserving the tapestries in 1912 ...
The pieces varied slightly in size with a total area of 147 square ells, each square ell costed at six francs, to a total of 883 francs 10 sou. [48] The set was finished with canvas, cords, and ribbons, and sent to Rouen by boat and then to Newhaven in France for shipping, along with another set called the Old and New Stories. The area of the ...
Bridgeville, California (population 25) was the first town to be sold on eBay in 2002, and has been up for sale three times since. [1] In January 2003, Thatch Cay, the last privately held and undeveloped U.S. Virgin Island, was listed for auction by Idealight International. The minimum bid was US$3 million and the sale closed January 16, 2003. [2]
The Apocalypse Tapestry is a large medieval set of tapestries commissioned by Louis I, the Duke of Anjou, and woven in Paris between 1377 and 1382.It depicts the story of the Apocalypse from the Book of Revelation by Saint John the Divine in colourful images, spread over six tapestries that originally totalled 90 scenes, and were about six metres high, and 140 metres long in total.
Large-scale cartoons for the tapestry weavers were created from photographically enlarged panels of Burne-Jones's watercolour. In a letter of 7 September 1886, Morris had suggested that the tapestry's colouration should be "both harmonious and powerful, so that it would not be overpowered" by the chapel's brilliantly coloured stained glass. [7]
Part of the Overlord Embroidery showing The Blitz. The Overlord Embroidery, echoing the Bayeux Tapestry created 900 years before to commemorate the reverse invasion of England from Normandy, is a narrative embroidery that depicts the story of the D-Day Landings of 6 June 1944 and the subsequent Battle of Normandy.
In 1980 a study of the tapestry revealed that the border had been stitched to the tapestry and not woven with it; this meant that the centre of the tapestry was older, revealing that the Warwickshire map dated from the 16th century and so was the only one of the original four tapestries which was still complete. [18]