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[5] Reviewing a 90 minute intermissionless version performed in Las Vegas, TheaterMania wrote "The only other two numbers to be cut completely, "(The Legend of) Miss Baltimore Crabs" and "Cooties," aren't missed at all; the first is the closest thing to a clinker in the show, an uninspired attempt to musicalize the comic villainess Velma Von ...
hello @spotify the lyrics you have for “the legend of miss baltimore crabs” from hairspray live are a MESS. embarrassingly incorrect and riddled with typos. please fix immediately. — Tom ...
After a successful tryout at Seattle's 5th Avenue Theatre, Hairspray opened on Broadway at the Neil Simon Theatre on August 15, 2002. [8] Jack O'Brien directed the production, which Jerry Mitchell choreographed, with set design by David Rockwell, costume design by William Ivey Long, lighting design by Kenneth Posner, sound design by Steve C. Kennedy, and the show's many distinctive wigs by ...
"Save Your Applause 'Til the End" (Demo for a potential replacement for "(The Legend of) Miss Baltimore Crabs") Christine Ebersole: 2:55: 8. "Turn Back the Hands of Time" (Demo for an end-credits song) Jenifer Lewis: 3:02: 9. "Timeless to Me" (Original demo recorded during development of the Broadway show) Nathan Lane: 4:03: 10.
Hairspray: Original Broadway Cast Recording is the cast album for the 2002 musical Hairspray.The show is an adaptation of the 1988 film of the same name.It features performances from the show's cast, which includes Harvey Fierstein, Linda Hart, Dick Latessa, Kerry Butler, Clarke Thorell, Mary Bond Davis, Laura Bell Bundy, Matthew Morrison, Corey Reynolds, and Marissa Jaret Winokur as the lead ...
It received acclaim from audiences and critics alike. Reviewing a stage version, Broadway World wrote "When the fabulous Arthella Williams' "Maybelle" brings down the house with the show's one genuinely serious song "I Know Where I've Been," the audience is already being prepped for a standing ovation."
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Good Morning Baltimore" is the opening number of the 2002 musical Hairspray. Written by Marc Shaiman and Scott Wittman , it is performed by the protagonist, Tracy Turnblad, and alludes to the distinctive beat and vocal effects ("oh-oh-oh") of The Ronettes ' 1963 hit " Be My Baby ".