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In Tolkien's book, the monster Gollum talks to himself in two different personalities, the good Sméagol and the evil Gollum. [4] Peter Jackson 's 2002 film The Lord of the Rings: The Two Towers , part of his major film series on Middle-earth , similarly depicts Gollum/Sméagol talking to himself in "perhaps the most celebrated scene in the ...
Gollum is a monster [2] with a distinctive style of speech in J. R. R. Tolkien's fantasy world of Middle-earth. He was introduced in the 1937 fantasy novel The Hobbit, and became important in its sequel, The Lord of the Rings. Gollum was a Stoor Hobbit [T 1] [T 2] of the River-folk who lived near the Gladden Fields.
Sméagol kills his friend Déagol to gain the Ring; over the centuries is "almost completely corrupted" by desire for the Ring; is made "a miserable creature, afraid of everything, friendless, homeless, constantly seeking his 'precious' Ring"; personality disintegrates, talking to himself as two halves, Sméagol and Gollum; eventually gains the ...
Hercule Poirot, a fictional Belgian detective created by British writer Agatha Christie, usually refers to himself in the third person. [76] Gollum in The Lord of the Rings (1954–55) spoke in an idiosyncratic manner, often referring to himself in the third person, and frequently talked to himself—"through having no one else to speak to", as ...
Burns comments that Gollum has other attributes from the undead of Norse myth: supernatural strength, demanding that he be wrestled; he may appear to be black, but has "bone-white" skin; and he is brought to an end by fire, the final resort for "stopping the restless dead". [19]
Middle Earth got involved in geopolitical conversation last night when "The Lord of the Rings" star Andy Serkis appeared on "The Late Show With Stephen Colbert."
The Elf Ecthelion slays the Orc champion Orcobal in Gondolin. 2007 illustration by Tom Loback. J. R. R. Tolkien, a devout Roman Catholic, [T 1] created what he came to feel was a moral dilemma for himself with his supposedly evil Middle-earth peoples like Orcs, when he made them able to speak.
The lives of the characters in J. R. R. Tolkien's world of Middle-earth appear variously to be driven by luck or by fate.This is arranged in such a way that the characters' free will is never compromised; they must rely on their own courage, just like Old English heroes like Beowulf and figures from Norse mythology.