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Wagoya type traditional roof framing, a post-and-lintel type of framing. Yogoya type traditional roof framing, called western style. Japanese carpentry was developed more than a millennium ago that is known for its ability to create everything from temples to houses to tea houses to furniture by wood with the use of few nails.
Traditional houses in Naoshima, Kagawa clad with yakisugi panels Close-up view of charred yakisugi board Yakisugi treated wood used in a box for sunglasses. Yakisugi (Japanese: 焼 杉, lit. ' burnt Japanese cedar ' [1]) is a traditional, very old Japanese method of wood preservation.
Yosegi-zaiku (寄木細工) (lit., "parquet work") is a type of traditional Japanese marquetry developed in the town of Hakone during the Edo period. [ 1 ] [ 2 ] Resembling a type of mosaic , yosegi is created through the combination of fine oblong rods of wood chosen for their grain, texture and colour, making an intricate surface pattern ...
The traditional wooden track requires precise fitting, [5] and the wood may wear with use, or warp due to changes in humidity. [41] A well-made traditional groove system is light enough that the door can be slid with one finger. [7] [4] [9] Traditionally, grooves were waxed; more modernly, grooves may be lined with low-friction plastic. [9]
In traditional Japanese architecture, there are various styles, features and techniques unique to Japan in each period and use, such as residence, castle, Buddhist temple and Shinto shrine. On the other hand, especially in ancient times, it was strongly influenced by Chinese culture like other Asian countries, so it has characteristics common ...
Wood, or wood frame covered with cloth or paper, often painted. Feet may be integral, or a separate stand into which a fusuma-like panel can be slotted. [13] Shown is a konmeichi (昆明池) panel, 6 shaku (181.8 cm (71.6 in)) tall; most are shorter seated-height panels. [14] Dates from the 600s or earlier. One of the oldest types of screen ...
Lacquerware is a longstanding tradition in Japan [6] [7] and, at some point, kintsugi may have been combined with maki-e as a replacement for other ceramic repair techniques. . While the process is associated with Japanese craftsmen, the technique was also applied to ceramic pieces of other origins including China, Vietnam, and Kor
The back is rubbed with a "hard pad, a flat piece of wood, a burnisher, or a leather frotton". [3] A traditional Japanese tool used for this is called a baren. Later in Japan, complex wooden mechanisms were used to help hold the woodblock perfectly still and to apply proper pressure in the printing process.