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Candace McDuffie of Consequence of Sound noted, in the song, Megan "paints herself as 'the hood Mona Lisa' while celebrating her complexity." [3] Megan employs huge bravado on the song, which, according to HipHopDX ' s Aaron McKrell, works to her advantage, as she "surgically pummels a formidable J. White Did It beat into submission, and still makes time for cool quips like \'I need a mop to ...
In Megan thee Stallion's 2020 hit song "Savage", she boasts about being "Classy, bougie, ratchet". Scholars have argued that ratchet feminism in music, offers black women and girls a space to be seen and depicted within pop culture.
On 11 June 2015, prior to the release of The Singles compilation album, a video was posted on the band's Facebook page to explain the meaning behind the song's lyrics. The lyrics refer to actual arguments Darren Hayes had had with a close friend of his at school, as they debated their musical preferences: "She was a Madonna fan, I was a Michael Jackson fan."
Born right smack on the cusp of millennial and Gen Z years (ahem, 1996), I grew up both enjoying the wonders of a digital-free world—collecting snail shells in my pocket and scraping knees on my ...
In 2023 the duo signed with Sony Music Canada [22] and their video for "Damn Right", directed by Sterling Larose, won the Prism Prize. [ 23 ] In 2024, CBC Television announced that the duo are slated to star in an eponymous comedy television series, playing fictionalized versions of themselves prior to their rise to fame, which will premiere in ...
After the arrest and detention of 21 Savage by ICE just days after the release of the music video for "A Lot", it was purported that besides his immigration status, the rapper was targeted due to his alternate verse for the album version of the song. Lawyers for 21 Savage, in addition to U.S. Representative Alexandria Ocasio-Cortez, all suspect ...
In the bougie broke trend, Egan sees young people being transparent about living paycheck-to-paycheck while financing their big lifestyles to their followers on social media.
There have been three different music videos for the song. The first, accompanying the Australian release of the song, was directed by Catherine Caines and Chris Bentley, and was shot in black and white. This version features Hayes and Jones performing on what appears to be a space vessel, whilst a female passenger watches. [9]