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According to the Benozzo Gozzoli Museum, Castelfiorentino, Italy, the "Strappo" technique is the least invasive method of wall painting removal because unlike stacco a massello or stacco, it "involves removal of only the topmost layer of plaster, which has absorbed the pigment" as described in the video, The Strappo Technique produced by the ...
Water damage may result in mold formations, a type of pest damage, on the canvas and pigment layers. It may also cause the canvas or framing supports to weaken and become flimsy resulting in tears from physical forces. [5] Ripples, waves, and undulations are also a common form of water damage.
Mold is a dangerous library pest because of the damage it causes to the collections. Mold thrives off of paper and books; these objects provide the fungi a source of nutrition, namely the sugar and starches present in the cellulose materials. [6] Mold feeds on cloth, leather, glues, adhesives, cellulose starch and starches in the sizing.
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As a result, Mould revises his estimate of the painting's value to be between £50,000 and £100,000. Although professional removal of the painting would be costly and not without risk, the owners decide to go ahead with this, and the work is removed safely and sent for restoration before going to auction. [70]
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Conservation treatments can take the form of adhering a lining to the canvas with wax-resin to the reverse side, replacing the painting's original stretcher, and varnishing the painting. In Jackson Pollock's Echo, solvents were used to remove a thin layer of the canvas to even out the work's coloring. [32]
The ground of the painting was then removed by solvents or scraping, until nothing remained but a thin skin of colour, pasted over with paper and held together by the muslin. A prepared canvas was then attached to the back of the paint layer, using the same method as was used for lining pictures. When the glue had dried, the paper and muslin ...