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In editorial practice, a trope is "a substitution of a word or phrase by a less literal word or phrase". [2] Semantic change has expanded the definition of the literary term trope to also describe a writer's usage of commonly recurring or overused literary techniques and rhetorical devices (characters and situations), [ 3 ] [ 4 ] [ 5 ] motifs ...
A figure of speech or rhetorical figure is a word or phrase that intentionally deviates from straightforward language use or literal meaning to produce a rhetorical or intensified effect (emotionally, aesthetically, intellectually, etc.). [1] [2] In the distinction between literal and figurative language, figures of
Anadiplosis – repeating the last word of one clause or phrase to begin the next. Analogy – the use of a similar or parallel case or example to reason or argue a point. Anaphora – a succession of sentences beginning with the same word or group of words. Anastrophe – inversion of the natural word order.
[10] [11] [12] Metalepsis uses a familiar word or a phrase in a new context. [13] For example, "lead foot" may describe a fast driver; lead is proverbially heavy, and a foot exerting more pressure on the accelerator causes a vehicle to go faster (in this context unduly so). [14] The figure of speech is a "metonymy of a metonymy". [13]
Trope denotes figurative and metaphorical language and one which has been used in various technical senses. The term trope derives from the Greek τρόπος (tropos), "a turn, a change", [1] related to the root of the verb τρέπειν (trepein), "to turn, to direct, to alter, to change"; [2] this means that the term is used metaphorically to denote, among other things, metaphorical language.
Some have pointed to how characterization is further built and developed as a result of using masquerade tropes. [1] It constructs more dimension around characters, in some situations attributing conflicting traits to a single individual, which leads readers to regard them as more complex and unique rather than a predictable figure.
Literary fiction is often used as a synonym for literature, in the exclusive sense of writings specifically considered to have considerable artistic merit. [6] Literary fiction is commonly regarded as artistically superior to genre fiction, the latter being a form of commercial fiction written to provide entertainment to a mass audience. [7] [8 ...
A paraprosdokian (/ p ær ə p r ɒ s ˈ d oʊ k i ə n /), or par'hyponoian, is a figure of speech in which the latter part of a sentence, phrase, or larger discourse is surprising or unexpected in a way that causes the reader or listener to reframe or reinterpret the first part.