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A gong chime is a generic term for a set of small, high-pitched bossed pot gongs. The gongs are ordinarily placed in order of pitch, with the boss upward on cords held in a low wooden frame. The frames can be rectangular or circular (the latter are sometimes called "gong circles"), and may have one or two rows of gongs.
A Pasi gong is a medium-size gong 30 to 40 cm (12 to 15 in) in size, with a loud crashing sound. It is used traditionally to announce the start of a performance, play ...
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Saman (or the dance of a thousand hands) is one of the most popular dances in Indonesia.Its origin is from the Gayo ethnic group from Gayo Lues, Aceh province, Indonesia, and is normally performed to celebrate important occasions. [1]
Gong Si Bolong is an art form from Indonesia which was developed by the people of Depok City. [1] Nowadays, this art are showing this existence on a musical group in Depok City. [ 1 ] [ 2 ]
Gamelan gong gede, meaning "gamelan with the large gongs", is a form of the ceremonial gamelan music of Bali, dating from the court society of the fifteenth and sixteenth centuries, associated historically with public ceremonies and special occasions such as temple festivals.
Gamelan gong kebyar is a style or genre of Balinese gamelan music of Indonesia. Kebyar means "to flare up or burst open", [ 1 ] and refers to the explosive changes in tempo and dynamics characteristic of the style.
The space of gong culture in the Vietnam Highlands (Vietnamese: Không gian văn hóa Cồng Chiêng Tây Nguyên) is a region in Central Vietnam that is home to cultures that value gongs. [1] It spreads in the Tây Nguyên (Central Highlands) provinces of Kon Tum , Gia Lai , Đắk Lắk , Đắk Nông , and Lâm Đồng .