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Broude, Norma and Mary Garrard, The Power of Feminist Art: Emergence, Impact and Triumph of the American Feminist Art Movement. New York, Abrams, 1994. Butler, Connie, WACK! Art and the Feminist Revolution, Los Angeles: Museum of Contemporary Art. 2007. Chicago, Judy. Beyond the Flower: The Autobiography of a Feminist Artist. New York: Viking ...
The feminist art movement in the 1980s and 1990s built upon the foundations laid by earlier feminist art movements of the 1960s and 1970s. Feminist artists throughout this time period aimed to question and undermine established gender roles, confront issues of gender injustice, and give voice to women's experiences in the arts and society at large.
Joyce Kozloff (born 1942) is an American artist known for her paintings, murals, and public art installations. She was one of the original members of the Pattern and Decoration movement and an early artist in the 1970s feminist art movement, including as a founding member of the Heresies collective.
Many historians view the second wave feminist era in America as ending in the early 1980s with the Feminist Sex Wars, a split within the movement over issues such as sexuality and pornography. These disputes ushered in the era of third-wave feminism in the early 1990s.
Mary Beth Edelson (born Mary Elizabeth Johnson) (February 6, 1933 – April 20, 2021) [1] [2] was an American artist and pioneer of the feminist art movement, deemed one of the notable "first-generation feminist artists". Edelson was a printmaker, book artist, collage artist, painter, photographer, performance artist, and author.
Feminist art often contains personal and political elements that are unique to each individual. There have been erroneous theories on the nature of feminist art. [6] Lucy R. Lippard stated in 1980 that feminist art was, "neither a style nor a movement but instead a value system, a revolutionary strategy, a way of life."
Mary Kelly (born 1941, Fort Dodge, Iowa [2]) is an American conceptual artist, feminist, educator, and writer. [3]Kelly has contributed extensively to the discourse of feminism and postmodernism through her large-scale narrative installations and theoretical writings.
Norma Broude (born 1 May 1941) is an American art historian and scholar of feminism and 19th-century French and Italian painting. She is also a Professor Emerita of art history from American University. Broude, with Mary Garrard, is an early leader of the American feminist movement and both have redefined feminist art theory.