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When Goethe completed Werther, he likened his mood to one experienced “after a general confession, joyous and free and entitled to a new life”. For Goethe the Werther effect was a cathartic one, freeing himself from the despair in his life. [3] The book reputedly also led to some of the first known examples of copycat suicide. The men were ...
"Sorrows of Werther" is a satirical poem by William Makepeace Thackeray written in response to the enormous success of Johann Wolfgang von Goethe's novel The Sorrows ...
Werther is an opera (drame lyrique) in four acts by Jules Massenet to a French libretto by Édouard Blau, Paul Milliet and Georges Hartmann (who used the pseudonym Henri Grémont). It is loosely based on Goethe's epistolary novel The Sorrows of Young Werther , which was based both on fact and on Goethe's own early life.
As a result, the critic becomes biased in favor of and fixated on the character. Eliot accuses Johann Wolfgang von Goethe and Samuel Taylor Coleridge of this, stating that Goethe's critique turns Shakespeare's tragic hero into his own Werther while Coleridge's "Lecture on Hamlet" made Hamlet into a Coleridge. Eliot wrote that due to their ...
The sonnet exhibits some metrical variations, for example, an initial reversal in the 2nd line: / × × / × / × / × / Knowing a better spirit doth use your name, (80.2) Reversals can also occur mid-line, as occurs in line 5; and some may be optional, as the possible initial reversals in lines 1 and 13.
Sonnet 23 is one of a sequence of 154 sonnets written by the English playwright and poet William Shakespeare, and is a part of the Fair Youth sequence.. In the sonnet, the speaker is not able to adequately speak of his love, because of the intensity of his feelings.
Shakespeare's third quatrain is interesting in that it changes "the words used to characterize the negative aspects of lust". [attribution needed] [12] Lust becomes "perceptibly weaker toward the end of the poem" [12] than in the start. In the beginning of the sonnet, Shakespeare uses the words "Murd'rous", "bloody", "savage" and "cruel" and ...
Continental examples are Jean-Jacques Rousseau's novel Julie, or the New Heloise, his autobiography The Confessions (1764–1770) and Goethe's novel The Sorrows of Young Werther (1774). [2] Tobias Smollett tried to imply a darker underside to the "cult of sensibility" in his The Expedition of Humphry Clinker (1771).