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  2. Run Like Hell - Wikipedia

    en.wikipedia.org/wiki/Run_Like_Hell

    Sound effects are used to create a sense of paranoia, with the sound of cruel laughter, running footsteps, car tyres skidding, and a loud scream. The original 7" single version and Pink Floyd The Wall -- Special Radio Construction promotional EP both contain a clean guitar intro, without the live crowd effects. The EP version also contains an ...

  3. Foley (filmmaking) - Wikipedia

    en.wikipedia.org/wiki/Foley_(filmmaking)

    This category entails the sound of footsteps. [3] To make the sound of walking down a staircase, Foley artists stomp their feet on the floor or a much smaller staircase while watching the footage to remain in sync with the actor. Foley studios carry many different types of shoes and several different types of floors to create footstep sounds. [6]

  4. On the Run (instrumental) - Wikipedia

    en.wikipedia.org/wiki/On_the_Run_(instrumental)

    There are also other Synthi and VCS 3 synthesizer parts, made to sound like a vehicle passing, giving a Doppler effect. The 8 note sequence is played at a tempo of 165 BPM, while both filter frequency and resonance are modulated. Near the end, the only guitar part is heard: a chord over the explosion of the presumed aircraft.

  5. Sound effect - Wikipedia

    en.wikipedia.org/wiki/Sound_effect

    When the required sound effect is of a small subject, such as scissors cutting, cloth ripping, or footsteps, the sound effect is best recorded in a studio, under controlled conditions in a process known as Foley. Many sound effects cannot be recorded in a studio, such as explosions, gunfire, and automobile or aircraft maneuvers.

  6. Walking with Beasts - Wikipedia

    en.wikipedia.org/wiki/Walking_with_Beasts

    The sound design for Walking with Beasts was done by Kenny Clark. Clark and his partner Jovan Ajder began the process by recording foley sound effects, such as footsteps. Then, Clark and Ajder began constructing a sound library through recording their own sounds and contacting web-based FX companies as well as companies around the world.

  7. How Quincy Jones Helped Michael Jackson Craft the Smash ... - AOL

    www.aol.com/lifestyle/quincy-jones-helped...

    When recording the follow-up to Thiller, 1987’s Bad, Jackson recorded his vocals on the drum riser surrounded by acoustic reflectors so the sound of his dancing as he sang could be captured on ...