Search results
Results From The WOW.Com Content Network
His upward face is called iśānam, and represents knowledge and nature. It is supposed to be depicted in a copper hue. His eastern face is called tatpuruṣam, and represents the organs of touch and action. It is supposed to be depicted in a yellow hue. His western face is called vāmadevam, and represents the ego and fire.
Shiva and Parvati are often represented sitting face to face (the sammukha mudra). They can also be seen in various postures connoting love and desire such as embracing each other in the alingana pose. Shiva in some representations touches and caresses Parvati's breasts (the kuca-sparsa pose) or holds her in his lap (atikarohana form).
Shiva's body is said to consist of five mantras, called the pañcabrahman. [301] As forms of God, each of these have their own names and distinct iconography: [302] These are represented as the five faces of Shiva and are associated in various texts with the five elements, the five senses, the five organs of perception, and the five organs of ...
The face of Uma also bears the Shaiva mark and depicts Shiva as Ardhanarishvara, the composite androgynous form of Shiva and Parvati. The right half is the male Shiva with a moustache, while the left half is the female Parvati; the eyes, the lips, the earrings (a serpent and floral earring) as well as the sides of the crown may differ in the ...
The union of Purusha (Shiva) and Prikriti (Shiva's energy, Shakti) generates the universe, an idea also manifested in the union of the Linga of Shiva and Yoni of Devi creating the cosmos. [57] [58] [59] The Mahabharata lauds this form as the source of creation. [46] Ardhanarishvara also suggests the element of Kama or Lust, which leads to ...
Kirtimukha at Kasivisvesvara Temple at Lakkundi, Gadag district, Karnataka, India. Kirtimukha (Sanskrit: कीर्तिमुख , kīrtimukha, also kīrttimukha, a bahuvrihi compound translating to "glorious face") is the name of a swallowing fierce monster face with huge fangs, and gaping mouth, very common in the iconography of Hindu temple architecture in India and Southeast Asia, and ...
The first ever sculpture of Sadasiva as a lingam with five faces was found in Bhita, near Prayagraj, and dates to the 2nd century CE. [2] His five faces, Ishana, Tatpurusha, Vamadeva, Aghora and Satyojata are known as Panchabrahmas (five creators), the emanations towards the four directions and upwards from the nishkala (formless) Parashiva.
It is the function of Prakṛti (nature, consort of Shiva) and Parā Śaktī. This face of Śiva is Buddhi rūpa (Intellect) and it represents Pūrṇagiri Pīṭha. Banaliṅgam. There are one billion mantras trying to describe this face of Śiva. The direction of this face is South and it is smoky (Dhumra varṇa) in color.