Search results
Results From The WOW.Com Content Network
A harpsichord [a] is a musical instrument played by means of a keyboard. Depressing a key raises its back end within the instrument, ...
In effect, it is filtering out all frequencies other than its resonance. Acoustic resonance is an important consideration for instrument builders, as most acoustic instruments use resonators, such as the strings and body of a violin, the length of tube in a flute, and the shape of a drum membrane. Acoustic resonance is also important for hearing.
Sympathetic strings or resonance strings are auxiliary strings found on many Indian musical instruments, as well as some Western Baroque instruments and a variety of folk instruments. They are typically not played directly by the performer (except occasionally as an effect), only indirectly through the tones that are played on the main strings ...
Manuscript of the first movement of BWV 1019, third version, copied by Johann Christoph Altnickol. The six sonatas for violin and obbligato harpsichord BWV 1014–1019 by Johann Sebastian Bach are works in trio sonata form, with the two upper parts in the harpsichord and violin over a bass line supplied by the harpsichord and an optional viola da gamba.
What primarily distinguishes the spinet is the angle of its strings: whereas in a full-size harpsichord, the strings are at a 90-degree angle to the keyboard (that is, they are parallel to the player's gaze); and in virginals they are parallel to the keyboard, in a spinet the strings are at an angle of about 30 degrees to the keyboard, going ...
Resonance made visible with black seeds on a harpsichord soundboard Cornstarch and water solution under the influence of sine wave vibration A demonstration of sand forming cymatic patterns on a metal plate. Cymatics (from Ancient Greek: κῦμα, romanized: kŷma, lit. 'wave') is a subset of modal vibrational phenomena.
The subtlety shifting rhythms add to the concerto's intensity, and within 9 minutes Górecki creates a powerful explosion in his musical output. The harpsichord's vigorous timbre is complemented by the chordal texture of the strings, and Górecki's use of dissonance adds color to the subtle changes in repetitive rhythmic structures.
The New Grove musical dictionary summarizes the earliest historical traces of the harpsichord: "The earliest known reference to a harpsichord dates from 1397, when a jurist in Padua wrote that a certain Hermann Poll claimed to have invented an instrument called the 'clavicembalum'; [1] and the earliest known representation of a harpsichord is a sculpture (see below) in an altarpiece of 1425 ...