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Folk Songs of the Four Seasons is a cantata for women's voices with orchestra or piano by English composer Ralph Vaughan Williams written in 1949. [1] Based on English folk songs, some of which he had collected himself in the early 20th century, the work was commissioned by the Women's Institute for a Singing Festival held at the Royal Albert Hall on 15 June 1950.
Vaughan Williams was the musical editor [17] of the English Hymnal of 1906, and the co-editor with Martin Shaw of Songs of Praise of 1925 and the Oxford Book of Carols of 1928, all in collaboration with Percy Dearmer. In addition to arranging many pre-existing hymn tunes and creating hymn tunes based on folk songs, he wrote several original ...
Vaughan Williams c. 1920. Ralph Vaughan Williams OM (/ ˌ r eɪ f v ɔː n ˈ w ɪ l j ə m z / ⓘ RAYF vawn WIL-yəmz; [1] [n 1] 12 October 1872 – 26 August 1958) was an English composer. . His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over sixty yea
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In his final decade, Vaughan Williams revisited the folk-song with two large-scale choral anthologies: the 1949 Folk Songs of the Four Seasons, and The First Nowell in 1958. [7] Roy Palmer commented: "On the whole, Vaughan Williams was more interested in the song than the singer, in the melody than the message." He often failed to record the ...
At approximately 70 minutes, A Sea Symphony is the longest of all Vaughan Williams's symphonies. Although it represents a departure from the traditional Germanic symphonic tradition of the time, it follows a fairly standard symphonic outline: fast introductory movement, slow movement, scherzo, and finale.
Sarah Vaughan —“It Might As Well Be Spring” (1949) Dating back to the movie musical “State Fair” in 1945, “It Might As Well Be Spring” was intended by composer Richard Rodgers as ...
By the mid-1940s, Vaughan Williams had written five symphonies of widely varying characters, from the choral Sea Symphony (1909) [1] to the turbulent and discordant Fourth (1934) [2] and the serene Fifth (1943), which some took to be the septuagenarian composer's symphonic swan song. [3]