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Folk Songs of the Four Seasons is a cantata for women's voices with orchestra or piano by English composer Ralph Vaughan Williams written in 1949. [1] Based on English folk songs, some of which he had collected himself in the early 20th century, the work was commissioned by the Women's Institute for a Singing Festival held at the Royal Albert Hall on 15 June 1950.
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Vaughan Williams c. 1920. Ralph Vaughan Williams OM (/ ˌ r eɪ f v ɔː n ˈ w ɪ l j ə m z / ⓘ RAYF vawn WIL-yəmz; [1] [n 1] 12 October 1872 – 26 August 1958) was an English composer. . His works include operas, ballets, chamber music, secular and religious vocal pieces and orchestral compositions including nine symphonies, written over sixty yea
Vaughan Williams was the musical editor [17] of the English Hymnal of 1906, and the co-editor with Martin Shaw of Songs of Praise of 1925 and the Oxford Book of Carols of 1928, all in collaboration with Percy Dearmer. In addition to arranging many pre-existing hymn tunes and creating hymn tunes based on folk songs, he wrote several original ...
Sarah Vaughan —“It Might As Well Be Spring” (1949) ... “April Come She Will” is a seasonal reverie that spans six months in a series of two-line verses that clock in at under two minutes ...
In his final decade, Vaughan Williams revisited the folk-song with two large-scale choral anthologies: the 1949 Folk Songs of the Four Seasons, and The First Nowell in 1958. [7] Roy Palmer commented: "On the whole, Vaughan Williams was more interested in the song than the singer, in the melody than the message." He often failed to record the ...
Hodie (This Day) is a cantata by Ralph Vaughan Williams. Composed between 1953 and 1954, it is the composer's last major choral-orchestral composition, and was premiered under his baton at Worcester Cathedral, as part of the Three Choirs Festival, on 8 September 1954. The piece is dedicated to Herbert Howells.
Vaughan Williams studied with Ravel for three months in Paris in the winter of 1907–1908. Though he worked chiefly on orchestration , this was to provide quite a contrast to the Germanic tradition handed down through Stanford and Parry at the RCM, and perhaps began to give Vaughan Williams a greater sense for colour and a freedom to move ...