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Finish Fetish denotes a style of art related to the LA Look, [1] pop art, minimalism, and light and space originating in southern California in the 1960s. Artwork of this type often has a glossy and slick finish and features an abstract design on a two-or three-dimensional surface made from fiberglass or resins. [ 2 ]
In 1975 [6] (with a rerun in 1986 [7]), the PBS National Geographic special The Incredible Machine looked into parts of the human body and included in its opening scenes a fully nude woman in an artist's model pose; probably less for this than the innovative micro-and interior cinematography, this was for more than half a decade the most ...
Private Parts is a 1972 American horror film [4] directed by Paul Bartel in his feature film debut, and starring Ayn Ruymen, Lucille Benson, and John Ventantonio. Its plot follows a troubled young woman who suspects a deviant serial killer is living in her aunt's dilapidated hotel in downtown Los Angeles .
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Sometimes it is the studios or production companies that insist that their actresses do not take part in nude scenes or other appearances. For example, to preserve her wholesome image, Annette Funicello, who was under contract with Walt Disney, was not allowed to be seen in a two-piece bathing suit or show her navel in the beach party films of the 1960s for American International Pictures ...
Paul Roustan (born September 5, 1979) is an American contemporary body painter and photographer. Roustan paints people for a variety of needs including gallery shows, [1] private photography workshops & commissions, tradeshows, TV/Movie, and advertising campaigns. He has done work on shows such as Skin Wars, Hollywood Today Live, The Queen ...
This is the incredible Kay Pike. Using only body paint and paint brushes, the ever so talented Kay can magically transform herself into any superhero or villain in the (comic) book.