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A number of religious and spiritual traditions encourage simple living. [6] Early examples include the Śramaṇa traditions of Iron Age India and biblical Nazirites.More formal traditions of simple living stretch back to antiquity, originating with religious and philosophical leaders such as Jesus, Lao Tzu, Confucius, Zarathustra, Gautama Buddha, and Prophet Muhammad.
The basis of iki is thought to have formed among the urbane mercantile class (Chōnin) in Edo in the Tokugawa period (1603–1868). Iki is an expression of simplicity, sophistication, spontaneity, and originality. It is ephemeral, straightforward, measured, and unselfconscious. Iki is not overly refined, pretentious, complicated.
A 17th-century English Baroque school using extended conceit, often (though not always) about religion [18] [19] John Donne, George Herbert, Andrew Marvell: Cavalier Poets: 17th-century English Baroque royalist poets, writing primarily about courtly love, called Sons of Ben (after Ben Jonson) [20] Richard Lovelace, William Davenant: Euphuism
Simplicity is the state or quality of being simple. Something easy to understand or explain seems simple, in contrast to something complicated. Alternatively, as Herbert A. Simon suggests, something is simple or complex depending on the way we choose to describe it. [1] In some uses, the label "simplicity" can imply beauty, purity, or clarity ...
Language complexity is a topic in linguistics which can be divided into several sub-topics such as phonological, morphological, syntactic, and semantic complexity. [1] [2] The subject also carries importance for language evolution. [3] Language complexity has been studied less than many other traditional fields of linguistics.
Shibui objects appear to be simple overall, but they include subtle details, such as textures, that balance simplicity with complexity. This balance of simplicity and complexity ensures that one does not tire of a shibui object, but constantly finds new meanings and enriched beauty that cause its aesthetic value to grow over the years.
Consequently, many essays serve as interpretations of or commentary on perceived community norms for specific topics and situations. The value of an essay should be understood in context, using common sense and discretion. Essays can be written by anyone and can be long monologues or short theses, serious or humorous.
The essay concludes, "The struggle itself towards the heights is enough to fill a man's heart. One must imagine Sisyphus happy." The work can be seen in relation to other absurdist works by Camus: the novel The Stranger (1942), the plays The Misunderstanding (1942) and Caligula (1944), and especially the essay The Rebel (1951).