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Restoration comedy is English comedy written and performed in the Restoration period of 1660–1710. Comedy of manners is used as a synonym for this. [ 1 ] After public stage performances were banned for 18 years by the Puritan regime, reopening of the theatres in 1660 marked a renaissance of English drama . [ 2 ]
The Restoration spectacular was a type of theatre production of the late 17th-century Restoration period, defined by the amount of money, time, sets, and performers it required to be produced. Productions attracted audiences with elaborate action, acrobatics, dance, costume, scenery , illusionistic painting , trapdoors , and fireworks .
Restoration is a 1981 play by English dramatist Edward Bond that has been described as "simultaneously a Restoration comedy, a parody of Restoration comedies, and a dissection of class privilege in the Restoration era."
The timeline on the theater's restoration completion hasn't quite changed, Cheryl Votzmeyer-Rios said, but she feels the project is right on time.
This naval battle was one of the sets for Elkanah Settle's Empress of Morocco (1673) at the theatre in Dorset Garden. The Restoration spectacular, or elaborately staged machine play, hit the London public stage in the late 17th-century Restoration period, enthralling audiences with action, music, dance, moveable scenery, baroque illusionistic ...
Leaders of the downtown venue announced on Wednesday, the theater’s 102nd birthday, details about how it will restore the Orpheum to its original 1920s glory.
Before A Short View of the Immorality and Profaneness of the English Stage, most anti-theatre pamphlets were merely nondescript diatribes (e.g. William Prynne's Histriomastix (1633)), but with his innovative techniques, Collier comprehensively indicted the entire Restoration stage [2] (see also Antitheatricality#Restoration theatre).
To non-theatre-goers these comedies were widely seen as licentious and morally suspect, holding up the antics of a small, privileged, and decadent class for admiration. This same class dominated the audiences of the Restoration theatre. This period saw the first professional woman playwright, Aphra Behn.