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[4] Iqa' (Arabic: إيقاع / īqā‘; plural إيقاعات / īqā‘āt) are rhythmic modes or patterns in Arabic music. [5] [full citation needed] There are reputed to be over 100 iqa'at, [6] [full citation needed] but many of them have fallen out of fashion and are rarely if ever used in performance.
Thus, when Arabic music is written in European musical notation, a slashed or reversed flat sign is used to indicate a quarter-tone flat, a standard flat symbol for a half-tone flat, and a flat sign combined with a slashed or reversed flat sign for a three-quarter-tone flat, sharp with one vertical line for quarter sharps, standard sharp symbol ...
The word maqam in Arabic means place, location or position. The Arabic maqam is a melody type. It is "a technique of improvisation" that defines the pitches, patterns, and development of a piece of music and is "unique to Arabic art music". [1] There are 72 heptatonic tone rows or scales of maqamat. [1]
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Ajnas (the equivalent of modern-day modes) in old Persian traditional music. Originally by Abd al-Qadir Maraghi, as published in the book by Farhad Fakhreddini. In traditional Arabic music theory, a jins (Arabic: جنس, pl. أجناس, ajnās) is a set of three, four, or five stepwise pitches used to build an Arabic maqam, or melodic
Helwa ya baladi" was the second song in Arabic language for Dalida after her hit "Salma Ya Salama". She sang it during French television broadcasts. She sang it during French television broadcasts. It was sung by tens to hundreds of thousands of Egyptians who demonstrated in Tahrir Square during the Egyptian Revolution of 2011 .
A wasla (Arabic: وَصْلَة / ALA-LC: waṣlah; plural وَصَلَات / waṣalāt) is a set of pieces in Arabic music. It comprises eight or more movements such as muwashshah, taqsim, layali, mawwal, qasida, dawr, sama'i, bashraf, dulab, and popular songs. [1] The term is also used to refer to a segment of Sufi music. [1]
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