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Excerpt from Étude Op. 10, No. 4. Étude Op. 10, No. 4 in C ♯ minor, known as the Torrent étude, is a study for solo piano composed by Frédéric Chopin in 1830. It was first published in 1833 in France, [1] Germany, [2] and England [3] as the fourth piece of his Études Op. 10.
Chopin at 25, by his fiancée Maria Wodzińska, 1835. The Études by Frédéric Chopin are three sets of études (solo studies) for the piano published during the 1830s. There are twenty-seven compositions overall, comprising two separate collections of twelve, numbered Op. 10 and Op. 25, and a set of three without opus number.
Nouvelle Étude No. 1. Study (No. 44a) in F minor (Variational form, [2] completed by Marc-André Hamelin [3]) Study in A minor (No. 50) Op. 10 No. 2, Op. 25 No. 4 and Op. 25 No. 11 (Combined in one study) [2] Recordings. There's a couple of recordings on the March and Study 50, [4] [5] though there is no live recording for now. Hamelin has a ...
Excerpt from the beginning of the Étude Op. 25 No. 4. Étude Op. 25, No. 4 in A minor is a technical study composed by Frédéric Chopin. It is marked Agitato at the head. This piece is like a polka. The technique explored in this piece is the performance of off-beat staccato chords set against a regular on-beat bass. This is an example of ...
Proof sheet of Étude Op. 10, No. 2 with fingerings in Chopin's handwriting, c. 1833 The technical novelty of this étude is the chromatic scale to be played by the three outer fingers of the right hand together with short semiquaver notes to be played by the first and second fingers of the same hand and the difficulty is to do this evenly in ...
Analysis of Chopin Etudes at Chopin: the poet of the piano; Études Op. 25: Scores at the International Music Score Library Project; Sheet music available in .pdf or LilyPond format, from Mutopia. Op. 25, No. 1 played by Alfred Cortot; Op. 25, No. 1 played by Arthur Rubinstein; Op. 25, No. 1 played by Claudio Arrau; Op. 25, No. 1 played by Dino ...
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Clean copy manuscript of Chopin's Etude Op. 10 No.3 with the tempo indication Vivace ma non troppo (and legatissimo). Polish pianist and editor Jan Ekier (1913–2014) writes in the Performance Commentary to the Polish National Edition that this étude is "always performed slower or much slower than is indicated by [Chopin's] tempo [M.M. 100 ...