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Teguh Karya directed Wadjah Seorang Laki-laki which, at the same time, was his first feature film. He also wrote the screenplay. [1] Before this, he had acted in several films, been a cinematographer for Wim Umboh's film Sembilan (1967), and directed several serials. [2] Karya involved numerous actors from his theatre group, Teater Populer.
The film made history as only the fourth Indonesian film ever to make the official selection of Cannes Film Festival following Eros Djarot's Tjoet Nja' Dhien and Garin Nugroho's Leaf on a Pillow in 1998 as well as Nugroho's Serambi in 2006. [15] It competed in the Directors' Fortnight section, but lost to Chloé Zhao's The Rider. [16]
Kuala Perlis (Kedah Malay: Kola Peghelih; Jawi: كوالا ڤرليس) is a suburb of Kangar and the second-largest town in and the main port of Perlis in Malaysia. [1] It is in extreme northwest Peninsular Malaysia, near the border with Thailand. The older part of town has houses and mosques built on stilts over mangrove swamps.
The film's "most romantic moment", according to director Anton Corbijn—when Jack takes Clara to a restaurant of her choice, their "actual date"—was filmed at a restaurant in Pacentro, near Sulmona. The comic-acting waiter in this restaurant scene was directed to stand in front of a two-bulb lamp fixture so that he appeared to have "devil's ...
Teguh Karya (born Steve Liem Tjoan Hok; Chinese: 林廉鹤; 22 September 1937 – 11 December 2001) was an Indonesian film director. Starting his entertainment career in theatre, he made his directorial debut in 1971 with Wadjah Seorang Laki-Laki in which he also wrote the screenplay.
Ibunda (Mother) is a 1986 Indonesian film directed by Teguh Karya. Telling of a family's struggles in Jakarta, it set a new record at the 1986 Indonesian Film Festival when it won nine Citra Awards. Plot
Di Bawah Lindungan Ka'bah is the second film adaptation of Hamka's novel Di Bawah Lindungan Ka'bah, following an adaptation in 1977 by Asrul Sani. [2] Unlike the original novel, which included numerous flashbacks, the plot is chronological. [1] The film cost Rp 25 billion (approximately US$2.9 million) to make. [1]
The film made $1.3 million over the five-day Thanksgiving frame, including $958,770 in its third weekend, finishing eleventh. [45] [46] [47] In its twelfth weekend, the film had an expansion to 200 theatres, grossing an estimated $120,000. [48] In the weekend after earning six BAFTA nominations, the film grossed $3.23 million from seven markets ...